Happy all over again – a new location at 1 William Street Tuesday, Apr 16 2019 

 

NEW DIDACTIC: Barbara Heath  NSW b. 1954  Net     1998

Stainless steel chain mesh construction with stainless steel brackets

7000 mm (h) x 4500 (top) and 1000 m (base)

 Internationally recognized designer and jeweller Barbara Heath has fashioned a large-scale building jewel. Net features repeat interlocking stainless steel links that reference the themes of networking and teamwork that operate in both nature and culture.

Net also draws upon the rich history of the site as a place of human, cultural and scientific endeavour and is evocative of fish traps and nets used by Aboriginal groups who came to hunt the abundant wildlife in the Brisbane river and its swamps and creeks.

Net was originally commissioned for the Neville Bonner Building, Brisbane by the Department of Public Works. In 2017, Net was relocated to 1 William Street, Brisbane with the assistance of building owners Cbus Property. Net forms part of the cultural heritage collection owned and managed by the Queensland Government.

 

Two gallery curators visit the studio on April Fools Day Friday, Apr 12 2019 

(names and gallery with-held for now) – sharing this Email we received :

“We are working on an exhibition focussed on rituals in all their forms – We are keen to hear what works you have in development and were wondering if you would be free for a studio visit sometime in the coming month?”

Yes, we all had a super meeting and Barb and I have homework to do . . .

One early 1996 show of Barbara’s was un-earthed and one that I personally think should never be forgotten.

Back in the late 1980s on my weekly visits to see Bebe Senior at her antique shop Lock Stock & Barrel, in St Lucia, Aunty Bebe showed me a beautiful solid silver salver, likely a memento from young Clarence Chafee’s college fraternity rite, adding it was quite unsaleable given the six vulgar phrases engraved on it; Drink Blood, You Give Up?, My Game, Last Call for Bloodweiser, Got 50c?, Eat Raw Meat – with each engraved in a markedly different font. Years followed and when I took up with Barbara, on another visit to Bebe & Bob MacPherson’s they gave the salver to Barb with the wish that she ‘make it into art’. That opportunity happened when Christine Plötz offered Barbara a short duration spot (18/10/96 to 23/10/96) in her James Street gallery schedule.

Using her jewellers saw, Barbara cut around each of the engraved slogans, simultaneously defining a unique shape for each to be later formed into six silver rings. The salver remained, punched void of its offending words. I loved Barbara’s installation device using ‘Heide’s’ text from Keith Leopold’s ‘Deutsche Teenager von Heute” counterposed with a sacred Sanskrit text.  So many readings are possible – on the opening night of the show I remember boys playing with the sexual inuendo theme while gay men derived Barbara had created her own set of graduated cock rings. Two additional readings came from two reviews, one by Leonie Stanford & this by Brookes & Stockwell. We retain this work.

 

 

Just received our copy of Christine Erratt’s new book featuring our Mace Thursday, Nov 22 2018 

The Mace was designed by Michael Bryce and his team who collaborated with the Jeweller to the Lost studio in 2005. Barbara and Juan-Luis were the perfect partners to effect this realisation.

Contact http://www.parkerpressbooks.com.au / 10 Bega Road Northbridge NSW 2063

Thanks for asking, here is the other small sculpture Tuesday, Jun 12 2018 

Here is a screen snapshot from the Handmark Gallery website from 2014 showing the exhibition detail: (confirming that this is now in our permanent collection – Jeweller to the Lost, Brisbane, Australia).

 

Thanks to the “universe” once again Tuesday, Jun 12 2018 

We produced two small sculptures for the Landscape show at Handmark, Hobart, Tasmania in 2014, they returned to the studio and were on show in our annual studio sale 2016. They were then given an airing at Artisan as part of our stock before returning back to the fold in 2017 when Artisan moved premises. An important client called and asked about the little blue one – maybe as a present to her husband on their 25th wedding anniversary.

Well that is today and we are proud to say it will be soon installed on the wall of his study . . . everything we seem to make and push into the world finds its own home in its own good time!

‘sunday morning’ 925 silver, turquoise, patinated copper 130x160x96mm © Bh – (jeweller to the lost)

Barbara continues her research into jewellery, bronze and iron materials Thursday, Aug 24 2017 

Inside the ferro battuto studio of ‘Carlo’ at Civitanova Alta, a third generation regional metalsmith now retired and closing his forge. He has found no one local who is interested to learn the craft and can’t compete with the cheap Chinese products flooding Italy. We are hoping that local council can work to house his stock and trade tools. We were overjoyed when staff opened up the museum for us at Monteloupone, as it was holiday season. Invaluable to have access and time with these old makers.

The invite arrived end of March 2017, we started 26th of April and finished the 26th of June 2017 Tuesday, Jun 27 2017 

Re: x15 artists exhibition 2017 at the Redcliffe Art Gallery from 2nd September to the 28th October 2017. This invitation show is an annual acquisitive award developed to enhance the Moreton Bay Regional Art Collection and exhibition program. We can only show a detail of Barbara’s work created and submitted yesterday.

Artwork Statement: Uncommon Ground – Consider the ground beneath us as a living entity, a witness to the cycles of deep geologic time as much as a cache for private memory and layered cultural histories. How shall we read this entity, this living crust which is both perilously vulnerable and fiercely ineradicable? Barbara Heath June 2017.

Artist Statement: My work as an artist stems from a 40 year studio practice as a jeweller. The intimate and collaborative nature of making meaningful objects that articulate personal stories at a human scale has brought me close to people as they seek the right object to witness the depths of their emotions. In work that crosses from human to a larger scale, I find similar histories and symbolism as these narratives expand to scope ideas of place and of a collective history. Recurring themes drawn from our Queensland vernacular architectural detail explore light and shadow, transition and passage. While research into Queensland’s colonial artisans has pursued threads of continuity, belonging and inheritance. Recent works which reference women’s gardens, dreams and imaginary landscapes are revealing deeper reflections on place and continuity. Barbara Heath 2017.

Recent work concerned with our relationship to nature; (1) Land Race 2012 looked at the social histories held within heritage seed varieties now at risk of being displaced by International Seed Uniformity Standards. ‘Life in your hands’ Lake Macquarie City Art Gallery, NSW – National Tour to 2013. Collection: Horsham Regional Gallery, Victoria. (2) Maisie’s Garden 2013 (in collaboration with Marian Drew) explored ideas drawn from the territory of remembered and historical domestic Queensland gardens. ‘Silver’ exhibition, Museum of Brisbane. (3) New Nature 2016 – describes a dreamlike, remembered or future plant scape to propose a sensory openness to flora as integral to the formation of a sense of place. x3 suspended sculptures. I William Street, Brisbane. Cbus Property in association with Woods Bagot, BM Constructions & Armitstead Consulting, Bligh Tanner and G&B Stainless. Photo (3) supplied by Cbus Property, with thanks to the photographer – Florian Groehn.

New interest in larger-than-life jewellery pieces by Barbara Heath from 1989 Thursday, May 25 2017 

Two jewellery collectors have recently requested info on these early brooches and then last week we received one sent from Melbourne, for repairs. We will have some of these for sale at our stand at the mid-year QAGOMA design market – Saturday July 8, 2017.

From the catalogue – Australian fashion: the contemporary art, an exhibition curated by Jane de Teliga for the Museum of Applied Art and Sciences, Sydney in association with the Australia Council. The show toured to the Twentieth Century Gallery at the Victoria & Albert Museum, London and the Powerhouse Museum, Sydney.

‘Barbara Heath’s oversized jewellery cannot go unnoticed and in the maker’s own words, it “demands that you be very involved with the piece to be able to put it on”.’ For this reason she uses large convex mirrors in her brooches to include the observer in the piece’s function. Age old symbols of life and death such as baby dolls and skulls decorate the mirror brooches in shiny silver and take her work into the realm of iconography. Barbara employs these clichéd symbols to balance the startling dialogue she sets up between wearer and observer. Barbara’s awareness of the individual and public perception of her work stems from her experience in more commercial accessories design including ranges for Johathan Sceats and Covers. Skull and babies mirror brooches of anodised aluminium and sterling silver (shown). Symbol brooch series: Eye, Dog, Dog2, Heart, and charm bracelets of anodised aluminium.

Home invasion by journalist, stylist and photographer went splendidly last December Friday, Apr 21 2017 

Here is the Instagram snapshot at the end of launch day, 20/4/2017 and the link to the article.

The links to everyone concerned are in the article. With an enormous reach to 243,000 followers; ‘thedesignfiles’ have certainly created an easy vehicle into people’s homes and studios, creative enterprises and lifestyles of Australian families. The “likes” that this post has created both on Lucy’s feed and our own feeds has be quite overwhelming . . . thanks to all and please enjoy the article.

Joy and sadness Thursday, Mar 9 2017 

“Baby in the Bath” is a birth marker that Barbara and I collaborated on in the mid 1980s. There were numerous commissions, all from friends and clients – this one was made for the Landon family for the birth of their son Theo in 1988. Steve Landon was a superb typographer who ran the tight Brisbane outlet of a Sydney firm called Typefounders. While on our Christmas break I had a FB message from Theo to say Steve had sadly passed away and this little marker had surfaced. I asked that he send it to the studio and we would clean and document it again. Remo Guiffré from the famous Remo store in Sydney commissioned another slightly different version for his store, this spread “Baby in the Bath”further into the world . . . and we still make these to order today.

bh-theolandon-1988-w

The bronze cast baby arrives into the world with a pink or blue anodised aluminium splash, the -place -time -date -weight and -baby’s name is hand punched into the patinated bronze base. © Jeweller to the Lost/Australia.

Next Page »