This Saturday August 1 is the mid-year GOMA ‘winter design market’ – we will be there 9:00am – 4:00pm Tuesday, Jul 28 2015 

We will be there with our usual generous metal jewellery, our yummy gem stock at (below wholesale) for one day only + new works (at wholesale) recently returned from Barbara’s Tasmanian show – “Midland’s Lepidoptera’. Do please spread the word and we hope to see you!

‘Fragments become fashion’ Page 22 (tasweekend) July11–12 2015 Saturday, Jul 18 2015 

Words by Stephanie Eslake and photography by Sam Rosewarne, thanks to Roz Macallan and John Potter for sending an iPhone pic and the article so I could scan and post. Sarah called from the gallery this afternoon to say that a Brisbane lady just snapped up one of the rings in the show.

Download the high-res .pdf here.

The three ‘hero’ brooches using porcelain shards © Bh 2015 Thursday, Jul 16 2015 

 

Four rings made with porcelain shards © Bh 2015 Thursday, Jul 16 2015 

Numerous Pendants with shards of porcelain © Bh 2015 Thursday, Jul 16 2015 

All images of Pendants are to scale . . .

All set in solid 925 Silver with some elements oxidised Fine adjustable leather neck strap.

Bracelet with porcelain shards © Bh 2015 Thursday, Jul 16 2015 

Five piece ‘Signature’ bracelet with Bar and Ring clasp in textured solid 925 bright Silver and 18ct Yellow Gold detail

Chrysanthemum earrings since 1987 and still going strong © Barbara Heath 2015 Wednesday, Jul 15 2015 

This latest pair were commissioned 10 years ago and lost – remade to Dawn’s original specs on her job sheet and sent to New South Wales, today.

There are two sizes made in various metals and finishes, with and without gems. Pictured is the small version, in 18ct Palladium White Gold with round brilliant cut Diamonds.

The same day that the previous commission was collected from the studio we received excited texts from Freemantle in Western Australia – two more commissions were collected at the post office, there. Tuesday, Jun 9 2015 

1) Barbara’s © Bar and Ring clasp is such a successful solution to stringing pearls and beads . . . worn to the front as a statement. Susan’s favourite oval moonstone set in an Argentium rub over setting and her Mother’s Akoya pearl strand reduced to a choker length, knotted and restrung.

2) Little finger signet ring set with a single old cut diamond from Susan’s Great-Grandfather. Design has the diamond set low, in an oval textured cartouche on a new style reeded band in 18ct palladium white gold.

Wendy’s two rings + Nigel’s interlocking set © Bh 2015 + two older style links Saturday, Jun 6 2015 

Platinum wedding band, double leaf lattice with Rubies.

Interlocking squares & circles, newer low version.

Visitors to the studio wishing to commission have two resources to use at the brief stage – our viewable records of makes and styles are all on the blog which are used night and day by people all over the world, the two below which were precursors for the rings above. The other resource we use are the three boxes full of silver models that show bands, settings and styles. These are used by Wendy George & Nigel Wilson during their meetings with Barbara to envisage their wedding ring commission. I hadn’t met them until the handover ceremony, I sit behind a wall (unseen) and listen intently as objects are viewed, tried on and I hear all the accompanying excited reactions by folk as they receive their loaded jewels. Wendy & Nigel were just so thrilled I have to add, especially as he isn’t a ring wearer, he says . . .

Just priced these to sell out at our mid-year studio sale – June 20, 2015 Wednesday, May 27 2015 

Solid sterling silver hand forged neck rings © Bh (with 18ct yellow gold detail) Two smaller ones are hammered only while some larger ones are hammered with raised details.

One of our favourite clients has a Danish version of this that she says works-a-treat and has asked Barbara to make a more “jazzie version” just for her. When it worked so well she suggested Barbara make five more to share the Love . . .

 

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