If you have a small damaged animal object, sculpture or image you might like to send a pic or scan to Barbara as we are starting to collate the works required for this show: Monday, May 23 2016 

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The little pig was a gift from Sharon Christison at Lancasters in Toowoomba who has hundreds of things come through her hands every week. Shazza never fails to think of us and all our small collections – if she does’t offer we might never know of its existence being a hundred kms away.

Jeweller to the Lost P O Box 452 Grange QLD 4051 Australia

<male@co-opones.to> 0431 464 470 <barby@co-opones.to> 0413 085 172

 

 

 

Ray Hughes (now and backintheday) Tuesday, Mar 15 2016 

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Recent shot with his son and grandson + Billy Butterworth’s shot of Ray when we were in NYC 1976, my second visit.

Back to the studio Tuesday after a 58 day break Sunday, Mar 6 2016 

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. . . back to extravagance, client whims, Barbara’s 2016–2020 range plan, the rest of our life making magic & theatre & material culture!

 

 

 

Just returned to Tunbridge, Tasmania from Auckland where we visited Tim Gruchy and Rhana Devenport Saturday, Feb 20 2016 

Tim’s show at Trish Clark gallery entitled ‘Kade’s Cognition’ has a an object in collaboration with my (pinks) content entitled ‘Clem’s lever’.

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Interactive multi-media software and hardware unit – 1500x570x400mm – unique NZ$9,800.00

The collaboration uses my (found/recycled – pinks) image collection prepared as content for the delivery unit we designed together. Tim has programmed, fabricated with contacts and supplied all the hardware to effect this; our first prototype. N.B. UPDATE Tim has loaded a Vimeo movie of the content – go to Trish Clark web and scroll down to the lever.

Direct here. An updated version here 11/4/2016:

Tim’s show, his first with Trish Clark presents five distinct conceptual projects both inspired by and ruminating upon his extensive interest in the “nexus where science and art collide and overlap” – “how science fiction influences culture and its development and considerations of public and private memory”. All these themes have informed his work since we first met and started exchanging theory and practice towards the end of 1979 in Brisbane. His work practice has taken him to Sydney, then the eastern seaboard of Australia where he has produced installations and exhibitions for public and private patrons, festivals, opera and the party scene. He has collaborated with numerous musicians making live music and producing, programming and directing tripped environments for the past 35 years. His recent move to New Zealand has seen him start an art career proper and a teaching/mentoring link with important Chinese universities. He has also making public artwork commissions in New Zealand (SCOUT) and has participated in eleven international art festivals since 2004.

Just adding a shot at Britomart, taken when we visited the (Scout) object – shown with a young user and Tim on the side of the shot.

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English made (slave trade) dog necklace with original key and engraved name tag Saturday, Jan 30 2016 

Purchased at the recent MossGreen auction in Hobart, from the Stillwell collection. Our friend Warwick Oakman did the valuations for the collection and noted that these were extremely rare and made similar to the other collars made for the slave trade.

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My friend and antique mentor – Bruce McLeod passed away in Sydney last Thursday Monday, Dec 21 2015 

Survived by his Jamacian wife Odette and his children who are all very well set up because of his astute buying and selling over his sixty year career. He was from Adelaide and I first met him in Brisbane when only a youngster working for Harcourt Howard. He went on to live in Trinidad, England and then Sydney where he ran his business from the matt black painted Victorian three story shop on South Dowling Street that was chokers with everything Chinese, European and English, of very high standards. He summoned me to Sydney one day tempting me with something he said he’s never offered to anyone else – the MacKenzie bookplate collection. I even knew where it was hidden in his shop but had never asked him what was in the timber leather bound boxes that looked more like books. Many of our Sydney friends have become his clients after we have introduced him to them – Vale my friend “Brucie” . . .

QAG|GOMA christmas market day Sat November 28th 2015 Sunday, Nov 29 2015 

We were very happy to bump-in our studio stock for this one day event, well attended even though there were other events close by: The CBD had a “Brisbane climate march”, An ‘etsy’ craft market in the City Hall. Heiser Gallery had an opening for “Bandwagon” showing Robert Moore, Reg Mombassa, Jeff Raglus, Stephen Mok. A private “baby shower” that drew some of our regular clients. Certain hard core mates showed up after those events as well . . .

Very thrilled with all the sales and visitors, many who have also set down our studio sale dates as well.  (Sat December 12 and Sun December 13). Happy with the cross postings / likes via Facebook and Instagram and thanks to K.T. & Karl for sending a Julius pizza over for our lunch, so we managed to keep up a dual presence at our stand.

Just purchased the family albums and scrap books from two early, sophisticated Brisbane families – all intact thanks to the dealer who found them Sunday, Aug 16 2015 

I’m always torn between leaving these family photographic records intact or breaking up the contents into the folders I have of local studio photographers. I’m fortunate to have boxes of just lovely blank albums also. The scrap albums are quite fantastic also, the earliest one is the largest format and each page must be 600gsm stock, stitch bound with the most bright Victorian lithography. As I work through this hoard I’ll scan and post highlights – 1 – 2 – 3 – 4 – 5 – 6 – 7 – 8  – thanks to Michael Allen for thinking of me.

04/08/2015 – unusual weather over the entire eastern states of Australia Sunday, Aug 16 2015 

Snow fell in Tasmania right down to ground level, it blanketed everywhere – another neighbour sent us a shot of our Tunbridge shop & residence:

I’ve finished my artwork + I’ve done the publicity material for the artists as well Wednesday, May 13 2015 

“Stories in Small Spaces” is about filling your own 100mm H x 100mm W x 100mm D cube with an artwork/artworks. Initiated by Studio West End and showing at Impress Gallery, Kedron opened by Liana Heath on Friday June 5 2015. Download the invite – here.  Thirty artists took up the challenge – Wim de Vos and Foremost Plastics assisted me with my piece. The smallest (eye) objects I have in my Urban_Archaeology collection just fell into my cube but needed an explanation and title. A larger .pdf of my piece is here. We hope to see you all at the opening so do save the date!

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