If you have a small damaged animal object, sculpture or image you might like to send a pic or scan to Barbara as we are starting to collate the works required for this show: Monday, May 23 2016 

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The little pig was a gift from Sharon Christison at Lancasters in Toowoomba who has hundreds of things come through her hands every week. Shazza never fails to think of us and all our small collections – if she does’t offer we might never know of its existence being a hundred kms away.

Jeweller to the Lost P O Box 452 Grange QLD 4051 Australia

<male@co-opones.to> 0431 464 470 <barby@co-opones.to> 0413 085 172

 

 

 

Barbara’s latest ‘bib’ necklace goes to be sold at the MAYO festival next Friday evening Sunday, May 22 2016 

. . . so she has a week to let it go #jewellertothelost © Bh hand forged 935 argentium silver white jade bar and ring clasp 2016 #StMargaretsBrisbane

Two new ‘curved bar’ earrings © Barbara Heath Wednesday, May 11 2016 

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I really need an instagram movie to show off these wonderful millennium cut Beryls and green Quartz stones, polished Onyx discs set in 9ct yellow and white gold, posts and butterflies – both pairs into our retailer’s stock.

 

The Neville Bonner building is being demolished to make way for the new Queen’s Wharf precinct Wednesday, May 4 2016 

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After only 16 years of life, multiple architectural awards, our site-specific sculpture entitled ‘net’ and many other public artworks in situ are now in limbo. Although owned by the Queensland Government we do have artist’s moral rights to the work. We do have a say as to its future use and placement when that time comes. Our original curator, Jacqueline Armitstead is working on every artist’s behalf at this time to see a legitimate outcome for all the artworks.

The building’s demise as reported:

Name tower of power after Neville Bonner:

The LNP Opposition has a Labor ally in Curtis Pitt. But only when it comes to continuing to honour the nation’s first indigenous person to become a member of the federal parliament. Neville Bonner, an elder of the Jagera people, became the first indigenous Senator in 1971 when he was chosen to fill a casual Liberal vacancy, and the first indigenous Senator to be elected in their own right by popular vote in 1972 up until 1980, finishing up in the Senate in 1983 as an independent.  In 1999 the award-winning Neville Bonner building was officially opened. It houses the Department of Communities, Child Safety and Disability Services. Come 2017 it is slated for demolition as part of the Queens Wharf precinct along with the Executive Building and the next door Public Works building. The federal electorate of Bonner was named for the state’s groundbreaking politician in 2004, but Opposition state development spokesman Tim Nicholls said Mr Bonner deserved further recognition.

“When we see the demolition of the old Neville Bonner building, that 1 William Street, which of course is the catalyst for this development, being renamed perhaps the Neville Bonner building in honour of a great Liberal Senator, the first indigenous Liberal Senator coming from Queensland,” he said. And Treasurer Curtis Pitt, who holds the Aboriginal and Torres Strait Islander Partnerships portfolio, agreed. “I think people across all sides of politics have the greatest respect for Neville Bonner and in fact, I myself got to serve as the Minister for Aboriginal and Torres Strait Islander partnerships in the Neville Bonner building and have my office there – it certainly wasn’t lost on me the significance of that,” he said. “Given that the Neville Bonner building will be demolished as part of the overall re-development in terms of Queen’s Wharf, clearly there is going to need to be some recognition, on-going, of Mr Bonner’s great contribution to public life in Queensland. “Of course, it is not a decision that I can make, but I, of course, like many people, want to see that legacy that he has left in Queensland is recognised in some way going forward. “Mr Bonner’s great-niece, Queensland Senator Joanna Lindgren, said her late uncle would have approved of the progress represented by the Queens Wharf development. “The building named after him, that currently stands in the Queens Wharf precinct is from another generation and Uncle Neville would be the first to say that progress is needed,” Senator Lindgren said. “I would be very honoured if the new executive building is named in his memory, and I am also very pleased that with the removal of the old building, a great initiative of redevelopment and job creation implemented by the former LNP government can commence. “1 William Street, nicknamed the “tower of power”, is still without an official name.  The government and larger public service departments are due to move in next year, with the building scheduled for completion at the end of 2016. BRISBANE TIMES JULY 2015

The future as envisioned in (1), (2), (3) and (4) renderings. The architectural fraternity is quite polarised by this proposal, it will see one of our earliest colonial buildings entirely covered by street  scape.

Three new pairs of Barbara’s successful © ‘Tapered Box’ earrings just finished Friday, Apr 29 2016 

Earrings ‘tapered box’ © Bh – princess cut 9mm Topaz 2=8.0ct – oxidised 925 silver – claw set 18ct yellow gold – post and butterfly fittings. I could rattle off the names of many clients who count on these as everyday wear. The other two pairs in bright silver boxes with 18ct yellow gold setting tabs have the lighter gem tones of Aquamarine and green Quartz.

 

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As soon as we make one of these, they seem to go home with someone Friday, Apr 29 2016 

Every time one of these is finished we wonder who will end up with it? These questions are never answered until the object is finally sold. Barbara’s latest Bib Necklace: this one is graced by a beautiful antique white jade Pi disk from Burma and two hand forged Silver symbols linked to the flat shaped and hammered neck pieces with her signature bar and ring clasp – all solid 925 bright Silver © Jeweller to the Lost, Brisbane.

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Large faceted Spinel, chunky pavé set with diamonds Thursday, Apr 14 2016 

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Barbara calls this her “dandy’ ring, large oval dress ring in 18ct yellow gold going to the Mayo Festival coming up next month at St Margarets, Ascot in Brisbane.

Received an email from a long-time friend and client in Sydney this morning: Thursday, Mar 31 2016 

Begin forwarded message:
From: JG <removed email address>
Subject: Princess ring
Date: 31 March 2016 8:50:47 AM AEST

Hi Barby and Mal

Today, 21 years ago I received the beautiful princess ring!

I still love it

Joanna xx

……………………………………..
4148-37
Selected by the curators for inclusion in the Queensland Art Gallery show and catalogue and reproduced on page 64 – entitled “Indian Princess Ring” commissioned c1995 was (cat.38) item in the show. Pear cut Tsavorite Garnet, pink Sapphires and Diamonds 18ct carved Yellow Gold – 2.1 x 2.1 x 1.7cm – QAG scan given to the studio above.
Below is my original scan and preparation from 21 years ago:
bh-greenwoodprincess-olderscan

 

Back to the studio Tuesday after a 58 day break Sunday, Mar 6 2016 

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. . . back to extravagance, client whims, Barbara’s 2016–2020 range plan, the rest of our life making magic & theatre & material culture!

 

 

 

Just returned to Tunbridge, Tasmania from Auckland where we visited Tim Gruchy and Rhana Devenport Saturday, Feb 20 2016 

Tim’s show at Trish Clark gallery entitled ‘Kade’s Cognition’ has a an object in collaboration with my (pinks) content entitled ‘Clem’s lever’.

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Interactive multi-media software and hardware unit – 1500x570x400mm – unique NZ$9,800.00

The collaboration uses my (found/recycled – pinks) image collection prepared as content for the delivery unit we designed together. Tim has programmed, fabricated with contacts and supplied all the hardware to effect this; our first prototype. N.B. UPDATE Tim has loaded a Vimeo movie of the content – go to Trish Clark web and scroll down to the lever.

Direct here. An updated version here 11/4/2016:

Tim’s show, his first with Trish Clark presents five distinct conceptual projects both inspired by and ruminating upon his extensive interest in the “nexus where science and art collide and overlap” – “how science fiction influences culture and its development and considerations of public and private memory”. All these themes have informed his work since we first met and started exchanging theory and practice towards the end of 1979 in Brisbane. His work practice has taken him to Sydney, then the eastern seaboard of Australia where he has produced installations and exhibitions for public and private patrons, festivals, opera and the party scene. He has collaborated with numerous musicians making live music and producing, programming and directing tripped environments for the past 35 years. His recent move to New Zealand has seen him start an art career proper and a teaching/mentoring link with important Chinese universities. He has also making public artwork commissions in New Zealand (SCOUT) and has participated in eleven international art festivals since 2004.

Just adding a shot at Britomart, taken when we visited the (Scout) object – shown with a young user and Tim on the side of the shot.

scout-Britomart

 

 

 

 

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