The .pdf is downloadable here. We recently found this article amongst the papers of John Watermann. “Barbara Heath’s solid technical training as a production jeweller, coupled with her fascination and absorption of “street fashion” and other influences, enables her to create jewellery which, paradoxically, is both a shock to the senses and elegantly wearable.” Text by Roz MacAllan, photography by Stuart Collins. Jump suit by Anna Bourke for ‘atomic workshop’ and graphic design by Empire Graphics.
Our first three pieces for Barbara’s next Tasmanian show are finished and we supplied the gallery with the advanced material today Thursday, Apr 2 2015
We are indebted to Warwick Oakman who gave Barbara the book on Tasmanian butterflies for Christmas last year. Our friends at Woodbury, the Coopers who are shard mad and have so much found pottery it puts us to shame. Alan was also a butterfly collector as a boy under the Bow Bells in London. Andy O’Brien has also assisted us in our hoovering shards from his neck of the woods. Please put the date into the diary . . .
Hobart’s Handmark Gallery – their new web presence is being updated each week – Barbara’s new image and bio is up today Thursday, Mar 26 2015
barbara heath and Blogroll and jeweller to the lost - commisions and jeweller to the lost - retail range and jeweller to the lost - sculpture and malcolm enright bespoke, blogging, collections, exhibition, fashion, the good things 3:38 pm
We are represented in Hobart and Evandale by Alannah Dopson and her team. Retail jewellery and small sculpture stock at both locations and on-line with commissions managed by both outlet managers. We have shown there since 2009 and have built a steady following including many ‘Makers Mark’ clients from Melbourne who venture down now that the gallery has closed. Here is the direct link to Barbara Heath.
We head to Brunswick Heads as does retro and garage . . . + Fabulous Mrs Fox Monday, Sep 29 2014
First thing Sunday we hit the road for two days in and around Brunswick Heads, northern NSW – freaky really.
End of school holidays, needing some massage, long walks and snooping shops . . . new restaurants and we meet an old (creative) acquaintance of Barbara’s, Jo and her Wil of (William White Industries) and www.theclassicfamily.com.au
+ Louise at <re sould> who is a friend of Scott Redford via Bet & Janelle Watson
+ Bangalow and Milton Cater’s (carpet) boys
+ The great black West London gent at the Greek restaurant ‘fatbellyKaf’ in Brunswick Heads
+ best kept secret shop, Gabrielle’s Closet on the way home in Murwwillumbah
Terry Thomas was once the system administrator for Gympie Gold Mine, say no more . . . Friday, Sep 19 2014
He commissioned Barbara to design and fabricate a table top to hold his captivating crystal specimen – patinated copper sheet.
My first boss came to morning tea in the studio last Thursday Saturday, Sep 13 2014
In my holidays after my first year at art school, I spent six weeks at McWhirters in the Myer advertising department run by Max Fulcher. It might as well have been Madison Avenue because that tight little ship had most of the creative energy in Brisbane under the firm tutelage of Max and his team. I say tutelage because I actively learnt every job involved in the communication business, hands-on there in the next two years (1966 and 1967). I can still rattle off the names of the people working there who made such an impression on me – lots who years later I was pitching against for business in my own right. Max ran and trained the most creative enterprising division of Myer in the day, we were always being pushed by the Queensland chairman Harold Fielding to knock off the Melbourne team run by Wally O’Donohue. Not only did we achieve better advertising, better results for the group in Brisbane – Max delivered costs at a quarter of the price.
The world needs to know about this man from Yeronga’s meteoric rise to international retail success. Here in his own words to me, he explained his early grooming under Sir Kenneth Myer: ‘I introduced myself to Macy’s San Francisco where I met and began a working association with Duane McHolick who later came to Australia and set David Jones on a new promotional path “There is only one David Jones”. Studied with Mashall Fields (Chicago), The Broadway Stores (Los Angeles), Bonwitt Teller, Bloomingdales, Macy’s (New York). Myer supplied personal assistant and office in the New York Herald building. Introduced by Clyde Bedell (advertising guru who Myer sponsored to Australian in conjunction with Melbourne Herald around 1961) to Sek Seklemian (Retail Reporting Bureau – Retail Advertising Week) and wife and stayed in adjacent apartment to them at the Barbizon Plaza 58th Street. Seklemian offered to sponsor me as his personal assistant (young Australians had good all-round training in advertising) if I decided to return to New York but loyalty to Myer prevailed. Holidayed in Nassau (Bahamas), returned to Macy’s (San Francisco) and was appointed Director Myer (Qld) upon return, June 1964.’
My own career couldn’t have started at a better time or a better place. Max’s sister Gem ran Camera Craft for Harry Poulsen at the time and she too was an active stimulus to my evolving fashion sense, Gem passed away recently and Max gave me this pic of her (left) and their friend Pat.
Like me, Max is an early adopter and his story of early digital times in Sydney is amazing – he started doing his own orchid illustrations after overcoming the vagaries of the Quark environment. Max lent me his catalogue of his first 108 personal illustrations, he has completed 111 to date. These are all layered vector elements created in Illustrator but more complex than that – he holds every shape he has ever created in folders at the same resolution so he can import and copy and place into new creations. He has a gallery relationship in Sydney but all our Australian Garden History Society friends should get in touch direct. My many interior design and architect friends should work with Max to enhance their hospitals and hotels with his exquisitely rendered digitally produced prints. Go direct here . . . A larger print of #11 that I like also. <email@example.com> 0428198012