Download the larger .pdf and we hope to see you this Friday evening for the cocktail party or on the Saturday . . .
The little pig was a gift from Sharon Christison at Lancasters in Toowoomba who has hundreds of things come through her hands every week. Shazza never fails to think of us and all our small collections – if she does’t offer we might never know of its existence being a hundred kms away.
Jeweller to the Lost P O Box 452 Grange QLD 4051 Australia
<email@example.com> 0431 464 470 <firstname.lastname@example.org> 0413 085 172
After only 16 years of life, multiple architectural awards, our site-specific sculpture entitled ‘net’ and many other public artworks in situ are now in limbo. Although owned by the Queensland Government we do have artist’s moral rights to the work. We do have a say as to its future use and placement when that time comes. Our original curator, Jacqueline Armitstead is working on every artist’s behalf at this time to see a legitimate outcome for all the artworks.
The building’s demise as reported:
The LNP Opposition has a Labor ally in Curtis Pitt. But only when it comes to continuing to honour the nation’s first indigenous person to become a member of the federal parliament. Neville Bonner, an elder of the Jagera people, became the first indigenous Senator in 1971 when he was chosen to fill a casual Liberal vacancy, and the first indigenous Senator to be elected in their own right by popular vote in 1972 up until 1980, finishing up in the Senate in 1983 as an independent. In 1999 the award-winning Neville Bonner building was officially opened. It houses the Department of Communities, Child Safety and Disability Services. Come 2017 it is slated for demolition as part of the Queens Wharf precinct along with the Executive Building and the next door Public Works building. The federal electorate of Bonner was named for the state’s groundbreaking politician in 2004, but Opposition state development spokesman Tim Nicholls said Mr Bonner deserved further recognition.
“When we see the demolition of the old Neville Bonner building, that 1 William Street, which of course is the catalyst for this development, being renamed perhaps the Neville Bonner building in honour of a great Liberal Senator, the first indigenous Liberal Senator coming from Queensland,” he said. And Treasurer Curtis Pitt, who holds the Aboriginal and Torres Strait Islander Partnerships portfolio, agreed. “I think people across all sides of politics have the greatest respect for Neville Bonner and in fact, I myself got to serve as the Minister for Aboriginal and Torres Strait Islander partnerships in the Neville Bonner building and have my office there – it certainly wasn’t lost on me the significance of that,” he said. “Given that the Neville Bonner building will be demolished as part of the overall re-development in terms of Queen’s Wharf, clearly there is going to need to be some recognition, on-going, of Mr Bonner’s great contribution to public life in Queensland. “Of course, it is not a decision that I can make, but I, of course, like many people, want to see that legacy that he has left in Queensland is recognised in some way going forward. “Mr Bonner’s great-niece, Queensland Senator Joanna Lindgren, said her late uncle would have approved of the progress represented by the Queens Wharf development. “The building named after him, that currently stands in the Queens Wharf precinct is from another generation and Uncle Neville would be the first to say that progress is needed,” Senator Lindgren said. “I would be very honoured if the new executive building is named in his memory, and I am also very pleased that with the removal of the old building, a great initiative of redevelopment and job creation implemented by the former LNP government can commence. “1 William Street, nicknamed the “tower of power”, is still without an official name. The government and larger public service departments are due to move in next year, with the building scheduled for completion at the end of 2016. BRISBANE TIMES JULY 2015
The future as envisioned in (1), (2), (3) and (4) renderings. The architectural fraternity is quite polarised by this proposal, it will see one of our earliest colonial buildings entirely covered by street scape.
barbara heath and Blogroll and jeweller to the lost - sculpture and malcolm enright bespoke, blogging, collections, colonial tinsmiths, graphic design, Ring Design, sculpture - public art, the good things 1:02 pm
Really excited to be part of this dynamic concept, our two groups were made up of artists, architects, jewellers, designers, craft people, educators, gardeners, a retired radio announcer and an IT guru. We are prolific when it comes to documenting our own projects so making a powerpoint of 21 small and large public art projects was a breeze. We had precursors and elements to see and feel and an interested set of informed and enthusiastic visitors. October 10 and 11 saw multitudes of venues opened for public viewing – go to “BrisbaneOpenHouse” here.
Blogroll and malcolm enright and urban archaeology bespoke, blogging, collecting, Liana Heath, objects with text, sculpture - public art, Studio West End, the good things, typography, Wim de Vos 10:31 am
“Stories in Small Spaces” is about filling your own 100mm H x 100mm W x 100mm D cube with an artwork/artworks. Initiated by Studio West End and showing at Impress Gallery, Kedron opened by Liana Heath on Friday June 5 2015. Download the invite – here. Thirty artists took up the challenge – Wim de Vos and Foremost Plastics assisted me with my piece. The smallest (eye) objects I have in my Urban_Archaeology collection just fell into my cube but needed an explanation and title. A larger .pdf of my piece is here. We hope to see you all at the opening so do save the date!
Other shots in this private garden and colonial collector’s home we visited . . . the sandstone sculptures are all done by the owner also
Warwick Oakman hosted a dinner to bring us together, they are high class antique & antiquity dealers from Freemantle, WA who have been restoring their very expansive early colonial building for the past twelve years. Mark Howard (left), Barbara and Les Lauder (right). The following day we met again and had the most detailed tour of their works and furnishings, which I have to admit was breathtakingly divine. For privacy’s sake I’ll hold back on details – rest assured we all got on like a house on fire. Their shops are here to view and do spend the time to dig deep into their web offerings.
We were very excited to be handed this commission. The partnering with the gallery and foundation executives, the numerous processes required to create the medal pushed everyone to excel and then the unique packaging designed by us and produced by the gallery has exceeded everyone’s expectations – nice!