Commissioned hinged cuff with baroque lattice pattern © Bh Friday, Sep 29 2017 

This is a previous pattern used on Trisha’s ‘big-up ring’ of 2013 which we are making again with smoky quartz . . . so this is a newly developed hinged cuff as a partner to her new ring. I like the smart use of the pattern again and the design resolve of the gem placements.

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Barbara continues her research into jewellery, bronze and iron materials Thursday, Aug 24 2017 

Inside the ferro battuto studio of ‘Carlo’ at Civitanova Alta, a third generation regional metalsmith now retired and closing his forge. He has found no one local who is interested to learn the craft and can’t compete with the cheap Chinese products flooding Italy. We are hoping that local council can work to house his stock and trade tools. We were overjoyed when staff opened up the museum for us at Monteloupone, as it was holiday season. Invaluable to have access and time with these old makers.

The invite arrived end of March 2017, we started 26th of April and finished the 26th of June 2017 Tuesday, Jun 27 2017 

Re: x15 artists exhibition 2017 at the Redcliffe Art Gallery from 2nd September to the 28th October 2017. This invitation show is an annual acquisitive award developed to enhance the Moreton Bay Regional Art Collection and exhibition program. We can only show a detail of Barbara’s work created and submitted yesterday.

Artwork Statement: Uncommon Ground – Consider the ground beneath us as a living entity, a witness to the cycles of deep geologic time as much as a cache for private memory and layered cultural histories. How shall we read this entity, this living crust which is both perilously vulnerable and fiercely ineradicable? Barbara Heath June 2017.

Artist Statement: My work as an artist stems from a 40 year studio practice as a jeweller. The intimate and collaborative nature of making meaningful objects that articulate personal stories at a human scale has brought me close to people as they seek the right object to witness the depths of their emotions. In work that crosses from human to a larger scale, I find similar histories and symbolism as these narratives expand to scope ideas of place and of a collective history. Recurring themes drawn from our Queensland vernacular architectural detail explore light and shadow, transition and passage. While research into Queensland’s colonial artisans has pursued threads of continuity, belonging and inheritance. Recent works which reference women’s gardens, dreams and imaginary landscapes are revealing deeper reflections on place and continuity. Barbara Heath 2017.

Recent work concerned with our relationship to nature; (1) Land Race 2012 looked at the social histories held within heritage seed varieties now at risk of being displaced by International Seed Uniformity Standards. ‘Life in your hands’ Lake Macquarie City Art Gallery, NSW – National Tour to 2013. Collection: Horsham Regional Gallery, Victoria. (2) Maisie’s Garden 2013 (in collaboration with Marian Drew) explored ideas drawn from the territory of remembered and historical domestic Queensland gardens. ‘Silver’ exhibition, Museum of Brisbane. (3) New Nature 2016 – describes a dreamlike, remembered or future plant scape to propose a sensory openness to flora as integral to the formation of a sense of place. x3 suspended sculptures. I William Street, Brisbane. Cbus Property in association with Woods Bagot, BM Constructions & Armitstead Consulting, Bligh Tanner and G&B Stainless. Photo (3) supplied by Cbus Property, with thanks to the photographer – Florian Groehn.

I’ve just posted our two ‘highlights’ – powerpoint reviews for years; 2015 and 2016 Friday, Nov 25 2016 

Just an easy download from the server:

Link – here

Link – here

 

 

Five of Barbara’s ‘daisy’ flower components for Roy Schack’s Black Cube Wednesday, Nov 2 2016 

Roy’s exhibit is going to Denmark soon to be shown at the 25th (Silver) Anniversary of the Danish Cabinet Makers Association showcase.

The detail on the job bag: Commission © Bh Eight flower components for ‘Black Cube’. Bh Daisy design – Six larger (22mm) and two smaller flower each fitted to stainless steel round wire stem with small link attachment to allow slight movement. 925 Silver with matt and burnished finish, smaller flowers have teal blue/red finish.

Roy also had a stick pin made with the teal blue flower for himself.

1 William Street, three views from our files Saturday, Oct 29 2016 

We are now able to share with clients and friends, our sculpture in Cbus’ new building at 1 William Street Brisbane Friday, Oct 28 2016 

This public art project has been under wraps since 2014, we were one of fifty-four artists to tender an EOI (expression of interest) then one of eight shortlisted. Three made the final cut to have their concepts accepted and be allocated a location. Our work was to be located in the magnificent 10 metre high foyer.

We collaborated throughout with curator; Jacqueline Armitstead, architect; Mark Damant, engineers; Rod Bligh and Simon Lewis, fabricators; Dee Wallace and John Edwards at G&B Stainless. Installation day in September 2016 went perfectly and our group of three works entitled: ‘New Nature’ has already drawn considerable attention and positive reaction from our client and building visitors.

The scale model for #3 is shown on the polished stainless steel light well, beside the spiral strip prior to being tacked to the vector cut spine. All three sculpture elements are laid out for production sheets here, here and here. Each unit in elevation is here, here, and here.

Two of Barbara’s elements on model #2 showing the different materials and treatments she has designed and specified to emulate nature, below and above ground.

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This secure and technologically smart building will house the office of the Queensland Premier, the Queensland Cabinet and parliamentary bureaucrats. The ground floor and foyer are all considered public spaces so do drop in and coffee-up under this last shot above, of model #3.

Our two and a half year sculpture project reaches install date Thursday, Sep 8 2016 

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With two senior executives both called John, the lady on the PA system renamed them OJ (old John) and YJ (young John) – above shot of mal E and OJ at the fabricators – more to come . . .

Here is the St Margaret’s artist talk flyer – 1:30pm this Saturday Thursday, May 26 2016 

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Download the larger .pdf and we hope to see you this Friday evening for the cocktail party or on the Saturday . . .

If you have a small damaged animal object, sculpture or image you might like to send a pic or scan to Barbara as we are starting to collate the works required for this show: Monday, May 23 2016 

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The little pig was a gift from Sharon Christison at Lancasters in Toowoomba who has hundreds of things come through her hands every week. Shazza never fails to think of us and all our small collections – if she does’t offer we might never know of its existence being a hundred kms away.

Jeweller to the Lost P O Box 452 Grange QLD 4051 Australia

<male@co-opones.to> 0431 464 470 <barby@co-opones.to> 0413 085 172

 

 

 

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