This Saturday August 1 is the mid-year GOMA ‘winter design market’ – we will be there 9:00am – 4:00pm Tuesday, Jul 28 2015 

We will be there with our usual generous metal jewellery, our yummy gem stock at (below wholesale) for one day only + new works (at wholesale) recently returned from Barbara’s Tasmanian show – “Midland’s Lepidoptera’. Do please spread the word and we hope to see you!

Chrysanthemum earrings since 1987 and still going strong © Barbara Heath 2015 Wednesday, Jul 15 2015 

This latest pair were commissioned 10 years ago and lost – remade to Dawn’s original specs on her job sheet and sent to New South Wales, today.

There are two sizes made in various metals and finishes, with and without gems. Pictured is the small version, in 18ct Palladium White Gold with round brilliant cut Diamonds.

The same day that the previous commission was collected from the studio we received excited texts from Freemantle in Western Australia – two more commissions were collected at the post office, there. Tuesday, Jun 9 2015 

1) Barbara’s © Bar and Ring clasp is such a successful solution to stringing pearls and beads . . . worn to the front as a statement. Susan’s favourite oval moonstone set in an Argentium rub over setting and her Mother’s Akoya pearl strand reduced to a choker length, knotted and restrung.

2) Little finger signet ring set with a single old cut diamond from Susan’s Great-Grandfather. Design has the diamond set low, in an oval textured cartouche on a new style reeded band in 18ct palladium white gold.

Wendy’s two rings + Nigel’s interlocking set © Bh 2015 + two older style links Saturday, Jun 6 2015 

Platinum wedding band, double leaf lattice with Rubies.

Interlocking squares & circles, newer low version.

Visitors to the studio wishing to commission have two resources to use at the brief stage – our viewable records of makes and styles are all on the blog which are used night and day by people all over the world, the two below which were precursors for the rings above. The other resource we use are the three boxes full of silver models that show bands, settings and styles. These are used by Wendy George & Nigel Wilson during their meetings with Barbara to envisage their wedding ring commission. I hadn’t met them until the handover ceremony, I sit behind a wall (unseen) and listen intently as objects are viewed, tried on and I hear all the accompanying excited reactions by folk as they receive their loaded jewels. Wendy & Nigel were just so thrilled I have to add, especially as he isn’t a ring wearer, he says . . .

June 2015 is indeed filling up with important dates, here is another one: Monday, May 25 2015 

Saturday June 14 (11:00am–5:00pm) is the ‘Study Day’ for the Society of Jewellery Historians at Haughton International Fairs: Art Antiques London.

Two of our fave raves- Jack Ogden and Hazel Forsyth are both speaking. Each society member can bring one guest for £35.00 so give us a call if you want admission.

The Spring Issue (#23) of “Jewellery History Today” just arrived and there is a small interesting article by Boris Gorelik drawing on hitherto unexplored sources from 1905–10 regarding the true story of the Cullinan Diamond. Pictured below is Joseph Asscher making the first cleavage in the said Diamond, 10th February 1908. Nine different gemstones were cut from the original found crystal and all are in the Queen’s ceremonial jewels. Every other tiny fragment from the crystal was returned to the National Geoscience Museum in Pretoria.

We have one London Asscher cut Sapphire in our studio stock, wonderful!

Commission via a phone call from out of the blue Tuesday, May 5 2015 

It is always a delight when old “Maker’s Mark” clients from Melbourne resurface, we did numerous commissions and sold from our range over a twenty six year period but never held their client’s names and addresses. Rosemary’s phone call led to an email which led to this remake of her husband’s interlocking ring set, this time in 9ct rose gold. They are chuffed, I’m chuffed to have their contact details now and another commissioner back into the fold.

there are boxes still, I admit . . . but I am outa there! Saturday, May 2 2015 

IMG_4933During the month of April 2015 I went from a filled storage space to a sparse cube!

Melt this 24ct gold, 1 ounce coin and make me a solid gold ring like my oval turquoise cabochon one Thursday, Apr 23 2015 

. . . and I want a large oval polished onyx piece set into the top!

Our favourite ‘Francophile’ commissioned this for her Ruby and Barbara responded with a nod to her favourite French designer – Jean Fouquet Wednesday, Apr 22 2015 

Her own gold melted and reused, the band cast in studio and the two top components constructed and attached. The rub over setting for oval faceted Ruby was recessed and the flat topped band finished with polished and matt surfaces. On reading the brief notes, Barbara has written (assymmetry, off-beat, off-set gem, bar across and angled). No further design dialogue, our client said “just make it”. Having made so many things for her, we knew the size and her aesthetic.

An email was received on the 3rd of April 2015 – we sent the pendant to Sydney last night, 22nd April 2015 Wednesday, Apr 22 2015 

No task to large or small . . .

“I am looking for a moon and stars pendant in silver to remember my Mum . . . and I am having no luck! A friend of ours has one of your lovely bracelets and last weekend I was in the Art Gallery shop in Brisbane and I saw some of your jewellery and I wondered if you have something like this available? I’m afraid I couldn’t afford to commission – anything large so sorry if I am wasting your time.” “I would like something similar to the photo enclosed – in theme but doesn’t have to be in style – in silver. I understand if this is not something you would like to – or do – take on. Thank you for your time and have a nice Easter.”

We were happy to comply with instructions, exchanged more emails and quote. The end result was created at studio wholesale – Cresent moon pendant as image supplied – diamond eye in Argentium 935 Silver with polished finish to fit the chain (supplied).

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