We hope to see you this coming Saturday on the lawn in front of the GOMA bookshop and entrance – the first of our two sales for the end of the year Tuesday, Nov 25 2014 

Stocks from our QAG showcase inside marked down and sold outside for one day only . . . then onto our own studio sale for commission clients and their friends the following weekend, December 6 and 7 2014. We hope to see you at one of the events, this season!

We are very proud of this work, I’ve just found this review in ArchitectureAu Friday, Nov 21 2014 

These seven pages cover every artist in this note-worthy exhibition. I just found this review by Margie Fraser which has thus far escaped my attention. -  here. 

Link to the concept

Link to the work

Link to the show

Our work in ‘Ipswich Houses’ had another airing February this year at Artisan when the curators borrowed this work from the Ipswich Art Gallery.

 

 

Lovely article on our great friend and client – Roz MacAllan and her ‘kiss-a-fish’ cookery school article in the Mercury Thursday, Nov 20 2014 

The article in The Mercury is viewable - here

Roz is wearing her 18ct yellow gold cuttlefish cast bale © Barbara Heath, holding her huge South Sea pearl – a commission that we finished this year. Roz is also in her new cookery school apron sporting her new ‘kiss-a-fish’ logo designed by Jennifer Marchant, another friend and client. The cooking school is running in St Helens, mid east coast of Tasmania using mostly locally caught ocean produce – supporting another local call to action by Matthew Evans © SBS in his “what’s the catch” episodes on sustainably caught fish.

Also a shout-out to her main man in the enterprise – John Potter!

 

2014 commissioners powerpoint as a download Saturday, Nov 15 2014 

The viewersite.wordpress.com <pages> ) top left column – have all been updated

 

Place and Adornment – A history of contemporary jewellery in Australia and New Zealand Saturday, Nov 8 2014 

This well researched and much anticipated book is now available to everyone interested in the subject, across the divide from both directions. I’ve altered the cover of the book shot to show that the magic is out-of-the-box.

Barbara’s email to Kevin has been copied into this post, below. Published by Bateman ISBN – 978 1 869 53 820 0

Hi Kevin, Wow! really.” “I have been dipping in and out of this book – it would be curious to map a trail of my exploration…I started at the beginning of course, no that’s not quite true, of course I started by looking up my name in the index to hastily read the section on myself – an act which in itself reveals the enormity of your project from the outset – i.e. the number of artist egos you must have had to negotiate to gather all this material together. That fact alone is extraordinary and I/we all thank you for it. Anyway after finding my own story succinctly told and enjoying the subsequent wave of warm inclusion, I went to the pages on Ray Norman, my friend and mentor. I have had so many conversations with Ray and so often thought, ‘I must write this down’, so I loved reading about his early years couched within your overview of the context within which he was working. Here was both a revelation and a re-iteration of the familiar – I felt gratitude again for details recorded. Praise the archivist.” “But also I began to get a sense of this quality of dispassionate overview; the placing, recording and grouping, the timeline and the larger cultural themes. Its like having a key to unlock the story of one’s own category…the fascination of looking through the other end of the telescope.” “So then I focussed on the Australian segments and thought , mmm maybe I’ll read the NZ parts later… but quite quickly (good plan to have each section flow back and forth across the ditch seamlessly) I got hooked into the whole. So…I am hooked and enjoying the ride tremendously – and wanted to let you know sooner rather than wait until I get to the end.” “I hope you are both receiving mountains of praise for what we know to be a considerable amount of labour. More in due course,” “Cheers and love from Barbara”

Kevin adds that he has started another blog to post all the material taken from texts prepared but not included in the final published work + updates – http://placeandadornment.tumblr.com

 

Brad couldn’t wait until Christmas eve either . . . Friday, Nov 7 2014 

Krista is a viewersite blog follower and Brad and I decided to hold back on publishing the image above. I did it so he could see his commission just prior to sending it off to Sydney. See the comments panel for more of the conversation & search this blog for the other fabulous pieces of Barbara’s jewellery that she owns, including one of the first pairs of 18ct yellow gold handmade hinged sleepers. “Happy Christmas for last night”!

“Bespoke pieces of Jewellery are part of your history and will tell that story forever. I’m not sure that an expensive handbag will do the same” – Loquet, London from The Times 5/11/2014 Thursday, Nov 6 2014 

Umm . . . that’s our little trade secret also – a one to many relationship with clients,  it separates “Jeweller to the Lost” from the masses of Fashion High Street customers.

Early November every year I sift through the commissioner’s data to create our list, to thank those who dare to be different. The list this year is so delightfully long, I have even counted another x16 job bags pending, for people who are not rushed. Client’s who trust Barbara and Juan-Luis to get around to it when their turn comes.

 

“The It bag is dead – long live diamond bracelets, gold necklaces and gem encrusted rings and bracelets.” ” What is different today is how women are increasingly turning to jewellery to transform their wardrobes.” “Of course it helps that fine jewellery is back in Vogue.” “Jewellery designers continue to push the boundaries with precious stones. Bashing them, chipping away at the edges to create a stealth-wealth badge.” – There you have it, our customers who really get it spend hours here with our wholesale gem collection planning and pushing the ideas before pulling out their card to commit to another wearable investment.

We are finding it hard to make new stock for retailers Wednesday, Oct 29 2014 

. . . as multiple commission requests and a large public art project have taken up almost all the time and energy available. Nevertheless the studio still manages to recreate some of our ‘heroes’ when we lose them to customers, this new Mother of Pearl dress ring has just been handed to me to scan and cost for consignment. With our annual ‘studio sale’ planned for the first weekend in December I know that this ring will not be going anywhere until the sale.

The job bag simply says – “Ring for Holly” Tuesday, Oct 28 2014 

Josh is the fourth person in the Ryan clan to entrust us to design and produce a commission – with this, his very special engagement ring to his fiancé Holly. He used his friendship with one of our favourite Diamond merchants and supplied his own gem. He scoured the web and the CBD and came up with the classic Tiffany solitaire setting that rings all the bells but he was more captivated by Barbara’s heavier and more sculptured big-up version, handmade in Platinum. Here it is photographed on her hand moments after she said ‘yes’ and sent to us via a text from her beau. Another two studio shots here and here.

The job bag specs: © Bh Commission Josh Ryan – Engagement ring for Holly. Hand fabricated solitaire style ring has round brilliant cut diamond 1.01 ct as supplied set in curved four claw setting fitted to narrow half round band tapering towards gem. Size M. Platinum.

 

We can finally talk about and show you our ‘benefactor’s medal’ and presentation box commissioned by the QAG|GOMA Foundation Sunday, Oct 19 2014 

From a brief in March 2014 to the design, development, production and delivery of the first five units last Thursday for Friday’s Foundation event – a wonderful journey and delightful partnering with the Queensland Art Gallery. The presentation package was designed and realised in vector art by the studio and was then effectively produced in Queensland red cedar and perspex, inhouse at the Gallery while we worked with our fabricators (Gold Coast & Sydney & Brisbane) and finished the medals and ribbons in the studio. There were many photographs taken at hand over and an article will appear in the Foundation’s magazine in the near future, here is my shot of Barbara taken on the iPhone in the water pavilion.

Next Page »

Follow

Get every new post delivered to your Inbox.

Join 176 other followers