The next masterpiece for our long time commissioner known as ‘pink lady’ Tuesday, Dec 2 2014 

The ‘Black Garland Ring’ using recycled diamonds from her mother – in Barbara’s language: Commissioned (everyday) gem cluster design has close groupings of various sized discs, four diamond pavé, six diamond pavé, large round brilliant diamond and large oval brilliant diamond with three black shakudo discs – arranged in a low curve across the finger. All fitted to formed underrail and diamond set band of rounded tapering profile. Polished finish in 18ct palladium white gold.

Commissioned eternity ring collected today and on its way to Hobart soon Monday, Dec 1 2014 

The first ring commissioned by Cliff and Laura Hurburgh is fully covered in a previous post - here. 2007 seems a long time ago and seven years later we were delighted to receive an email and then a studio visit from Laura wanting more quality sapphires and diamonds for her next Barbara Heath piece. A very pleasant time looking at all the ring style models, internet images and wholesale gems here in the studio – another carved ‘London Bridge’ style, square and round stone array is designed, created, set and finished in time for the family’s move to Hobart.

From December 1 you can now order and collect your ‘real christmas tree’ from Stefan or it can be delivered Monday, Dec 1 2014 

I usually post a note as a reminder to friends in the Brisbane area . . . about this great little sideline for Stefan’s framing business. I also happen to support ‘real artists’ such as Dan Reynolds in the UK although the .jpg above was sent to me in 2010 by a clock buddy in Chicago. Go and commission a conceptual illustration or a gag cartoon – here.

Real Christmas Trees from as little as $65.00 – a great medium tree is $99.00 and up to XL priced trees at $180.00 all + delivery. +61 7 3366 8461

Barbara’s best foot forward last weekend at QAG|GOMA Christmas Market Monday, Dec 1 2014 

We take our own Georgian dropside table and a glass fronted display cabinet just to separate us from the other market sellers with their stall tables and black tablecloths. A day of standing as waves of visitors sweep past for a gander and sometimes a chat, often a try on and a nice lot of sales. We meet so many QAG customers – all regulars at our showcase there, gallery guides who are commission clients and many old faces appeared this year out of the blue.

A late afternoon shot just prior to bump out – Iza and Peter from QAG Gallery store with Dean and Gary, who can never drag himself away from the goodies . . . one sale down and next weekend is the studio sale running all day Sat and Sun for commission clients and their friends.

Here is the ‘mud map’ of all stall holders for tomorrow’s GOMA Christmas Market – from 9:00am to 4:00pm Saturday 29th November 2014 Friday, Nov 28 2014 

This is the correct compass orientation – note that the coffee cart will not be beside us tomorrow, blast!  The weather map indicates showers but at least yesterday’s massive storm-cell has passed over us . . . rain, hail or shine we will be there to greet you.

We hope to see you this coming Saturday on the lawn in front of the GOMA bookshop and entrance – the first of our two sales for the end of the year Tuesday, Nov 25 2014 

Stocks from our QAG showcase inside marked down and sold outside for one day only . . . then onto our own studio sale for commission clients and their friends the following weekend, December 6 and 7 2014. We hope to see you at one of the events, this season!

We are very proud of this work, I’ve just found this review in ArchitectureAu Friday, Nov 21 2014 

These seven pages cover every artist in this note-worthy exhibition. I just found this review by Margie Fraser which has thus far escaped my attention. -  here. 

Link to the concept

Link to the work

Link to the show

Our work in ‘Ipswich Houses’ had another airing February this year at Artisan when the curators borrowed this work from the Ipswich Art Gallery.

 

 

Lovely article on our great friend and client – Roz MacAllan and her ‘kiss-a-fish’ cookery school article in the Mercury Thursday, Nov 20 2014 

The article in The Mercury is viewable - here

Roz is wearing her 18ct yellow gold cuttlefish cast bale © Barbara Heath, holding her huge South Sea pearl – a commission that we finished this year. Roz is also in her new cookery school apron sporting her new ‘kiss-a-fish’ logo designed by Jennifer Marchant, another friend and client. The cooking school is running in St Helens, mid east coast of Tasmania using mostly locally caught ocean produce – supporting another local call to action by Matthew Evans © SBS in his “what’s the catch” episodes on sustainably caught fish.

Also a shout-out to her main man in the enterprise – John Potter!

 

2014 commissioners powerpoint as a download Saturday, Nov 15 2014 

The viewersite.wordpress.com <pages> ) top left column – have all been updated

 

Place and Adornment – A history of contemporary jewellery in Australia and New Zealand Saturday, Nov 8 2014 

This well researched and much anticipated book is now available to everyone interested in the subject, across the divide from both directions. I’ve altered the cover of the book shot to show that the magic is out-of-the-box.

Barbara’s email to Kevin has been copied into this post, below. Published by Bateman ISBN – 978 1 869 53 820 0

Hi Kevin, Wow! really.” “I have been dipping in and out of this book – it would be curious to map a trail of my exploration…I started at the beginning of course, no that’s not quite true, of course I started by looking up my name in the index to hastily read the section on myself – an act which in itself reveals the enormity of your project from the outset – i.e. the number of artist egos you must have had to negotiate to gather all this material together. That fact alone is extraordinary and I/we all thank you for it. Anyway after finding my own story succinctly told and enjoying the subsequent wave of warm inclusion, I went to the pages on Ray Norman, my friend and mentor. I have had so many conversations with Ray and so often thought, ‘I must write this down’, so I loved reading about his early years couched within your overview of the context within which he was working. Here was both a revelation and a re-iteration of the familiar – I felt gratitude again for details recorded. Praise the archivist.” “But also I began to get a sense of this quality of dispassionate overview; the placing, recording and grouping, the timeline and the larger cultural themes. Its like having a key to unlock the story of one’s own category…the fascination of looking through the other end of the telescope.” “So then I focussed on the Australian segments and thought , mmm maybe I’ll read the NZ parts later… but quite quickly (good plan to have each section flow back and forth across the ditch seamlessly) I got hooked into the whole. So…I am hooked and enjoying the ride tremendously – and wanted to let you know sooner rather than wait until I get to the end.” “I hope you are both receiving mountains of praise for what we know to be a considerable amount of labour. More in due course,” “Cheers and love from Barbara”

Kevin adds that he has started another blog to post all the material taken from texts prepared but not included in the final published work + updates – http://placeandadornment.tumblr.com

 

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