I wonder who will end up with these? Monday, Apr 13 2015 

Naomi Berry was a fabric collector who became a dealer to support her habit. Every Saturday I’d visit the small shop she had on Fernberg Road, Milton. It only opened on Saturdays . . . Naomi made weekly visits to two sisters who lived in Yerrongpilly, the Soden sisters. Every one of these came wrapped in pink string, from memory maybe 24 issues or 6 months worth at a time. The Soden sisters were very early investors in the stock exchange, their boxes of ephemera with receipts, recipes and helpful hints were fantastic and I still have some of those. I have one scrap book they made that is absolutely a naive surrealist ‘artist book’ – I have lent this to Noreen Grahame for a show ages ago. I also scanned from their scrap book, a starter page for my 1991 ‘electronic exquisite corpse’ paper promotion where I joined 7 *designers around the world who shared and enhanced files for the Gilbert Paper Co – under the creative direction of Thirst in Chicago. *Neville Brody,Erik Spiekermann, Malcolm Enright, Linda van Deursen & Armand Mevis, Paul Sych, Katherine McCoy & Ric Valicenti. (I should do a post about this fantastic experiment on ephemeral-male). These at going to the first fashionista who calls for $200.00 the lot!

Two days of posting and selling magazines via Facebook is zooming Friday, Apr 10 2015 

I’ve got news for you, between the two world wars in the northern hemisphere boys and girls weren’t afraid of a little sun on their willies . . . so who wants these issues? Call me on 0431 464 470.

This is a three page article from 1985, written by Roz MacAllan and published in Craft Arts. Tuesday, Apr 7 2015 

The .pdf is downloadable here. We recently found this article amongst the papers of John Watermann.

“Barbara Heath’s solid technical training as a production jeweller, coupled with her fascination and absorption of “street fashion” and other influences, enables her to create jewellery which, paradoxically, is both a shock to the senses and elegantly wearable.” Text by Roz MacAllan, photography by Stuart Collins. Jump suit by Anna Bourke for ‘atomic workshop’ and graphic design by John Coslovich.

The Gallery|Medal as covered in the most recent edition of ‘ARTLINES’ 4/2014 for (December, January, February) Monday, Dec 29 2014 

The larger .pdf versions are downloadable: page one HERE and page two HERE

We were very excited to be handed this commission. The partnering with the gallery and foundation executives, the numerous processes required to create the medal pushed everyone to excel and then the unique packaging designed by us and produced by the gallery has exceeded everyone’s expectations – nice!

We hope to see you this coming Saturday on the lawn in front of the GOMA bookshop and entrance – the first of our two sales for the end of the year Tuesday, Nov 25 2014 

Stocks from our QAG showcase inside marked down and sold outside for one day only . . . then onto our own studio sale for commission clients and their friends the following weekend, December 6 and 7 2014. We hope to see you at one of the events, this season!

Place and Adornment – A history of contemporary jewellery in Australia and New Zealand Saturday, Nov 8 2014 

This well researched and much anticipated book is now available to everyone interested in the subject, across the divide from both directions. I’ve altered the cover of the book shot to show that the magic is out-of-the-box.

Barbara’s email to Kevin has been copied into this post, below. Published by Bateman ISBN – 978 1 869 53 820 0

Hi Kevin, Wow! really.” “I have been dipping in and out of this book – it would be curious to map a trail of my exploration…I started at the beginning of course, no that’s not quite true, of course I started by looking up my name in the index to hastily read the section on myself – an act which in itself reveals the enormity of your project from the outset – i.e. the number of artist egos you must have had to negotiate to gather all this material together. That fact alone is extraordinary and I/we all thank you for it. Anyway after finding my own story succinctly told and enjoying the subsequent wave of warm inclusion, I went to the pages on Ray Norman, my friend and mentor. I have had so many conversations with Ray and so often thought, ‘I must write this down’, so I loved reading about his early years couched within your overview of the context within which he was working. Here was both a revelation and a re-iteration of the familiar – I felt gratitude again for details recorded. Praise the archivist.” “But also I began to get a sense of this quality of dispassionate overview; the placing, recording and grouping, the timeline and the larger cultural themes. Its like having a key to unlock the story of one’s own category…the fascination of looking through the other end of the telescope.” “So then I focussed on the Australian segments and thought , mmm maybe I’ll read the NZ parts later… but quite quickly (good plan to have each section flow back and forth across the ditch seamlessly) I got hooked into the whole. So…I am hooked and enjoying the ride tremendously – and wanted to let you know sooner rather than wait until I get to the end.” “I hope you are both receiving mountains of praise for what we know to be a considerable amount of labour. More in due course,” “Cheers and love from Barbara”

Kevin adds that he has started another blog to post all the material taken from texts prepared but not included in the final published work + updates – http://placeandadornment.tumblr.com

 

We can finally talk about and show you our ‘benefactor’s medal’ and presentation box commissioned by the QAG|GOMA Foundation Sunday, Oct 19 2014 

From a brief in March 2014 to the design, development, production and delivery of the first five units last Thursday for Friday’s Foundation event – a wonderful journey and delightful partnering with the Queensland Art Gallery. The presentation package was designed and realised in vector art by the studio and was then effectively produced in Queensland red cedar and perspex, inhouse at the Gallery while we worked with our fabricators (Gold Coast & Sydney & Brisbane) and finished the medals and ribbons in the studio. There were many photographs taken at hand over and an article will appear in the Foundation’s magazine in the near future, here is my shot of Barbara taken on the iPhone in the water pavilion.

Here is the ‘local trail’ antique & retro list for September 2014 for the Northern Rivers area of NSW Wednesday, Oct 1 2014 

Ross and Eve Heath who are at Bangalow put this together – (click for high-res .pdf download) and people we talked to all thank them for their services rendered. Their shop is huge, well stocked and priced for Sydneysiders on holidays.

We all await the new refurbishment at e’cco bistro, Philip tells me he hasn’t strayed too far from my original logo Tuesday, Sep 23 2014 

The old logo (above) and location has worked a treat, so much so that it is now almost 20 years since I introduced Philip Johnson to Robert Riddel and their relationship – like the restaurant has endured so well. We are in for the VIP re-launch, their invite (below) launches the new logo and this new phase in Brisbane dining pleasure! Bookings via the web.

The before and the after shots are always telling (telling me I shouldn’t try to do the impossible) Tuesday, Sep 23 2014 

French mercury gilded bronze and brass c1790–1820 is the last period of perfection. The case work is still robustly made with their steel and brass ties and nuts still substantial. The problem being two fold – removing the dirt and chemical residue remaining after time and abuse + finding all the bad repairs made over time to keep the case together.

The dial and bezel is in bad shape while the movement is totally rusted together. Dr Sal Rahman knows he has a particular divine clock and wants to spare no expense to have it restored, its the long period waiting that is the hardest.

This is a shot showing the clock and the studio garden.

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