Just returned to Tunbridge, Tasmania from Auckland where we visited Tim Gruchy and Rhana Devenport Saturday, Feb 20 2016 

Tim’s show at Trish Clark gallery entitled ‘Kade’s Cognition’ has a an object in collaboration with my (pinks) content entitled ‘Clem’s lever’.

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Interactive multi-media software and hardware unit – 1500x570x400mm – unique NZ$9,800.00

The collaboration uses my (found/recycled – pinks) image collection prepared as content for the delivery unit we designed together. Tim has programmed, fabricated with contacts and supplied all the hardware to effect this; our first prototype. N.B. UPDATE Tim has loaded a Vimeo movie of the content – go to Trish Clark web and scroll down to the lever.

Direct here. An updated version here 11/4/2016:

Tim’s show, his first with Trish Clark presents five distinct conceptual projects both inspired by and ruminating upon his extensive interest in the “nexus where science and art collide and overlap” – “how science fiction influences culture and its development and considerations of public and private memory”. All these themes have informed his work since we first met and started exchanging theory and practice towards the end of 1979 in Brisbane. His work practice has taken him to Sydney, then the eastern seaboard of Australia where he has produced installations and exhibitions for public and private patrons, festivals, opera and the party scene. He has collaborated with numerous musicians making live music and producing, programming and directing tripped environments for the past 35 years. His recent move to New Zealand has seen him start an art career proper and a teaching/mentoring link with important Chinese universities. He has also making public artwork commissions in New Zealand (SCOUT) and has participated in eleven international art festivals since 2004.

Just adding a shot at Britomart, taken when we visited the (Scout) object – shown with a young user and Tim on the side of the shot.

scout-Britomart

 

 

 

 

The Barbara Heath interview with Richard Fidler yesterday created lots of interest and traffic to our email and blog Wednesday, Nov 4 2015 

Michele Ransom-Hughes works for the program and is a great Jeweller to the Lost supporter and friend. Those of you who know Barbara will know that she would always prefer to write than talk – this was no exception because it was an hour-long interview without knowing the questions.
http://www.abc.net.au/local/stories/2015/11/03/4344246.htm

The blog had 727 visitors yesterday with the average page clicks at 4.23 per visitor, the 2014 commissioner’s list was downloaded 37 times . . . our best day ever is 750 viewers, so well done Barby!

If you click on this link it will download to your mail application the RSS feed for the program – http://www.abc.net.au/local/podcasts/conversationspodcast.xml

2015 Brisbane Open House – Barbara and mal E host two groups as part of “Made in Brisbane” – artist studio tours Sunday, Oct 11 2015 

Really excited to be part of this dynamic concept, our two groups were made up of artists, architects, jewellers, designers, craft people, educators, gardeners, a retired radio announcer and an IT guru. We are prolific when it comes to documenting our own projects so making a powerpoint of 21 small and large public art projects was a breeze. We had precursors and elements to see and feel and an interested set of informed and enthusiastic visitors. October 10 and 11 saw multitudes of venues opened for public viewing – go to “BrisbaneOpenHouse” here.

Italian interior and product design from the 1980s and 90s gone to an interior design firm’s library Wednesday, Apr 8 2015 

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Dynamic design duo – Ian and Steven from Wrightson Stewart Interiors snapped these up for their historical reference. Just wiping and collating these brought back a flood of emotions – all good. Remembering that each issue arriving every month gave me new European insights and ‘stuff’ pleasure, now someone new can do that all over again . . . and the weight sitting on my library floor is down maybe 80 kilos!

We hope to see you this coming Saturday on the lawn in front of the GOMA bookshop and entrance – the first of our two sales for the end of the year Tuesday, Nov 25 2014 

Stocks from our QAG showcase inside marked down and sold outside for one day only . . . then onto our own studio sale for commission clients and their friends the following weekend, December 6 and 7 2014. We hope to see you at one of the events, this season!

We can finally talk about and show you our ‘benefactor’s medal’ and presentation box commissioned by the QAG|GOMA Foundation Sunday, Oct 19 2014 

From a brief in March 2014 to the design, development, production and delivery of the first five units last Thursday for Friday’s Foundation event – a wonderful journey and delightful partnering with the Queensland Art Gallery. The presentation package was designed and realised in vector art by the studio and was then effectively produced in Queensland red cedar and perspex, inhouse at the Gallery while we worked with our fabricators (Gold Coast & Sydney & Brisbane) and finished the medals and ribbons in the studio. There were many photographs taken at hand over and an article will appear in the Foundation’s magazine in the near future, here is my shot of Barbara taken on the iPhone in the water pavilion.

. . . with thanks to D.C. for his ink art that I have changed, this was posted on Tumblr with no credit and downloaded (I’m guessing it is from the master). Wednesday, Dec 25 2013 

Another valuable edition to swell our library resource (and add more weight to the floor joists) Wednesday, Sep 11 2013 

Big surprise in the mail yesterday, the latest ‘Lark’ jewellery tome edited by Damian Skinner. Three separate sections breakdown this world-view focus on contemporary jewellery, dated 2013. Two authors we know have well articulated essays, Kevin Murray weighs in on the (7) spaces that hold jewellery’s attention and he also writes on ‘the political challenge’ to contemporary jewellery, today. Julie Ewington offers us the ‘Now and Then’ – a thinking essay on ‘the contemporary in art and jewellery. Barbara’s work is covered in the ‘Australasia’ section, again authored by Damian Skinner. Get down to Folio (Angelos) and the QAGoma bookstore (Peter) and ask them to secure your own copy . . . today.

Studio sale this coming Sat 8th and Sunday 9th December 2012 Monday, Dec 3 2012 

Wonderful feedback received so far, the printed invite we mailed to commission clients last week has resulted in post comments, emails and phone calls to the studio … lots of anticipation. Plus we managed to connect two old and dear friends in different continents. Jenny read through the list and emailed us to see if “young Alex” was in fact the daughter of Wendy, a client who resides in Hong Kong. So the client list is also a “friend finder” – I always knew that!  The .pdf is downloadable here.

https://i0.wp.com/www.co-opones.to/male/viewer/images/2012pre-studiosale-B.jpg

The French cabinet was originally all-over gilt but as its c1870 – it has been painted on the exterior maybe 7 times over its lifetime.
Originally purchased in London by the Brisbane antique dealer – Michael Allen for his own house . . . it proved to be too large and then was a wee bit too small for his shop. So we managed to procure it for the Jeweller to the Lost studio. We are being forced to have more articles to show the clients who visit to arrange commissions these days although we refuse to retail from the studio. It will double as a larger studio sale showcase and joins the other three period French wall vitrines that came from South America and were sourced from Salvage, ages ago. Here is a wider pic.

The ‘tinsmith – an ordinary romance’ touring show opened last Friday night at the Pine Rivers Heritage Museum to a great crowd Monday, Feb 13 2012 

Dr Gael Phillips (pathologist, historian, artist, collector), mal E and Barbara Heath (curators it says in the catalogue) in front of one of the display devices designed by the Artisan team.

Tony Clarke who teaches manual arts and runs the CAD team at St Joseph’s Nudgee College, shown here with Barbara after he told us what every group of the Gillespie templates would make just from viewing their flat form. The lively crowd enjoyed the well-informed opening remarks by the local Councillor Bob Millar, the Council’s network coordinator, Joan Kelly and Barbara’s short talk. The touring catalogue is a hard bound 34 page offset coloured piece of romance and was provided by a grant from the Gordon Darling Foundation and the entire touring exhibition was funded through Arts Queensland (State Government) and the Australia Council, the Commonwealth Government’s arts funding and advisory body. Touring dates have been supplied in a previous post – click here.

Exhibition Assistants: Zoe Wolfe & Miriam Carter. Publication & Tour Manager: Simone Jones. Catalogue Design: VoltDesign. Contributing Writers: Barbara Heath & Miriam Carter. Photography: Rod Bucholtz. Copy Editor: Evie Franzidis. Foreword: Liana Heath, CEO of Artisan. Exhibition Curators: Barbara Heath & Malcolm Enright. All the owners and lenders are acknowledged. ISBN:978-0-9871226-1-2

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