I’m impressed, Barbara has bought two large A2 prints and Max has given me copies of his two books Monday, Sep 15 2014 

I spent the morning with Max amongst his orchids and ferns at Kangaroo Point, Brisbane. Then into his folders of illustrator and photoshop files and his earlier workbooks, diaries and hand drawings. His web site has two books for sale that most of my contacts will simply want to have at home to adorn their library’s garden section; ‘the enchanted orchid’ and ‘striptease – It’s all done with flowers’. Both are beautifully post produced and printed on quality stocks, both are trimmed to 250mm H x 210mm W.

With ‘the enchanted orchid’ Max has designed, photographed and written this picture book that cleverly covers his chosen category. 144 pages drawn on to a folded laminated cover, first published in Sydney in 1999. Max has now done a second imprint co-published with Vanity House and his Cooroy Gardens entity in 2003 with a small number remaining from a very respectable second run. It sells for A$40.00 + postage of A$15.00

His ‘striptease – It’s all done with flowers’ was co-published later in 2005 with Vanity House and Cooroy Gardens also and is really a peek-aboo at his own marvellous story and talents with some generous take-aways for those interested in illustration, those with a handle on the Latin names for the floral species and those just looking for a great gift and read. It sells for A$25.00 + postage of A$15.00

 Again, Max is selling his remaining copies on-line so get in touch better still post him a cheque today <Max Fulcher 101/193 Main Street Kangaroo Point QLD 4169 Australia> and don’t forget to add your postal address. Repost this to your own blogs also.

 

My first boss came to morning tea in the studio last Thursday Saturday, Sep 13 2014 

In my holidays after my first year at art school, I spent six weeks at McWhirters in the Myer advertising department run by Max Fulcher. It might as well have been Madison Avenue because that tight little ship had most of the creative energy in Brisbane under the firm tutelage of Max and his team. I say tutelage because I actively learnt every job involved in the communication business, hands-on there in the next two years (1966 and 1967). I can still rattle off the names of the people working there who made such an impression on me – lots who years later I was pitching against for business in my own right. Max ran and trained the most creative enterprising division of Myer in the day, we were always being pushed by the Queensland chairman Harold Fielding to knock off the Melbourne team run by Wally O’Donohue. Not only did we achieve better advertising, better results for the group in Brisbane – Max delivered costs at a quarter of the price.

The world needs to know about this man from Yeronga’s meteoric rise to international retail success. Here in his own words to me, he explained his early grooming under Sir Kenneth Myer: ‘I introduced myself to Macy’s San Francisco where I met and began a working association with Duane McHolick who later came to Australia and set David Jones on a new promotional path “There is only one David Jones”. Studied with Mashall Fields (Chicago), The Broadway Stores (Los Angeles), Bonwitt Teller, Bloomingdales, Macy’s (New York). Myer supplied personal assistant and office in the New York Herald building. Introduced by Clyde Bedell (advertising guru who Myer sponsored to Australian in conjunction with Melbourne Herald around 1961) to Sek Seklemian (Retail Reporting Bureau – Retail Advertising Week) and wife and stayed in adjacent apartment  to them at the Barbizon Plaza 58th Street. Seklemian offered to sponsor me as his personal assistant (young Australians had good all-round training in advertising) if I decided to return to New York but loyalty to Myer prevailed. Holidayed in Nassau (Bahamas), returned to Macy’s (San Francisco) and was appointed Director Myer (Qld) upon return, June 1964.’

My own career couldn’t have started at a better time or a better place. Max’s sister Gem ran Camera Craft for Harry Poulsen at the time and she too was an active stimulus to my evolving fashion sense, Gem passed away recently and Max gave me this pic of her (left) and their friend Pat.

Like me, Max is an early adopter and his story of early digital times in Sydney is amazing – he started doing his own orchid illustrations after overcoming the vagaries of the Quark environment. Max lent me his catalogue of his first 108 personal illustrations, he has completed 111 to date. These are all layered vector elements created in Illustrator but more complex than that – he holds every shape he has ever created in folders at the same resolution so he can import and copy and place into new creations. He has a gallery relationship in Sydney but all our Australian Garden History Society friends should get in touch direct. My many interior design and architect friends should work with Max to enhance their hospitals and hotels with his exquisitely rendered digitally produced prints. Go direct here . . . A larger print of #11 that I like also. <max@maxfulcher.com> 0428198012

More on our recent Tasmanian 10 day jaunt Tuesday, Sep 2 2014 

Overnight at the New Town Palace – Hobart shops – Burning off the summer garden’s waste – Reinstated the Georgian internal staircasePolished kitchen floor – Mr & Mrs Kissafish for lunch – Evandale relies drop in – Clockman, Warren & Babe – Unfruitful trip to Longford – Campbel Town shops – Two Profs from over the road drop in – Sunset on the river – Tracker gone – Rodney & Joey Kevin Joy Wishes Paul and Peter Simon – Quite a few perfect shots away – Gardening – Trip to the tip – Cracker drive to the airport in the MG ZT – and below the Peel-away project:

Thinking about the state of Susie Hansen’s mural at La Trobe Terrace Paddington Wednesday, Jul 30 2014 

Plants are now trailing down from the top and lichen is now covering a great mass of the paintwork.

I have posted on this before and recently it has been up on FaceBook with comments and suggestions that we should all create a working bee and “clean it up”, what do you think Susie? . . . what does HandsOnArt think?

McTavish clan emblem wrist bracelet – handmade solid silver and leather © Bh 2014 Monday, May 26 2014 

Commissioned for Peter McTavish from his wife, Wendy.

The studio started with the all the historical clan emblems available, one from the family and a previous wide wrist band Peter had found at the local Eumundi markets as a size indicator. Barbara has retained all her leather working tools from the 1970s and it was a delight to go back to this medium. We started by working up the vector line artwork both by hand and computer until we had all elements signed off and Juan-Luis could start the minute saw cuts that have realised this task. The shot below is of the emblem prior to chemical oxidisation and the fitting of the pins that secure the piece to the leather band.

Hand made solid silver buckle and lip finish off this one-of-a-kind commission, we love it!

 

Barbara scored another hankie, this time from my ‘graphics’ files at Urban _Archaeology Sunday, May 4 2014 

‘pink’ Swiss handkerchief given to Barbara last weekend Wednesday, Apr 30 2014 

Folded in two it went straight into the green box, then Marg and I emailed finds:

Spider_Phaeton,_1860

 

PastedGraphic-1

I hear the wedding bells just looking at these two commissioned rings Saturday, Apr 12 2014 

Commission © Bh – John Ellway Hand fabricated wedding ring 5mm wide x 1.6mm thick band with low rounded inner and outer
profile Inlaid with shakudo x at opposite points on band Inside stamped detail AJ.14 Hammered finish 18ct rose gold Size T *review band prior to inlay of Shakudo

Commission © Bh – Amber Winter Hand fabricated wedding ring 2mm wide x 1.7mm thick band of high rounded profile to match
engagment ring. Inside stamped detail AJ.14 Hammered finish 18ct yellow gold Size K1/2 *Amber’s engagement ring required to match profile exactly

Partnering with a couple to achieve their ceremonial marker, their emotionally merged goal is a lovely thing.  Making manifest their vision into shaped and textured metal is also such a delight. Mostly this work comes from word-of-mouth where others suggest their friends should make contact with us. What goes around comes around.

Cheque arrived from Hong Kong for another McTavish family commission, we are excited to start Thursday, Apr 3 2014 

More on this when we complete Peter’s leather and 925 silver “Clan” cuff . . . commissioned by Wendy. I so much miss the postage ephemera, I keep every postage stamp for recycling and future artworks. We miss the smaller native birds as they are driven out of the suburban gardens by larger, non-Australian species. Thoughts of all the Australian migrating birds that used the mudflats of Hong Kong as feed and rest stations on their northern journeys to and from Siberia, these environments are shrinking due to landfill and the real estate boom there.

Sunday December 1 – 2013 “bless Leunig’s cotton socks” Sunday, Dec 1 2013 

a kick and a punch for the first day of the month . . .

Leunig- 2013Christmas Wish

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