Five favourite elements from Dr Gael Phillips’ past, wrapped up into a new © Bh Necklace with handmade ‘curb’ chain, Bar and Ring clasp and matt Onyx discs Tuesday, Apr 30 2013 

Barbara’s job bag description - © Bh Necklace Commission (No 1 Punk Necklet): make constructed frames and links for 5 objects: Gael’s tortoiseshell x 2, Victorian bog oak hand, Chinese Brown Jade and Cornish stone pendant and link all to matt onyx flat round beads. 925 Silver. Handmade strap curb link chain 925 Silver. 2 x bar and ring clasps to necklace + chain extend further use to series. All having matt/polished/oxidised/bright finish.

 

We have been producing commissions and waiting on clients to collect their booty, two away on the weekend Tuesday, Apr 30 2013 

This a gem detail of a divine © Bh Necklace Commission for very old friends and client’s of both mal E and Bh: Celestine Doyle – Mothe’s Beads with new clasp and leaf button detail. Double strand of antique graduated Bone beads are connected with button detail and clasp to each side; Five Leaf Button set with central 3mm square orange BET Sapphire (0.27ct) and surrounding 5x3mm round Pink-Orange Sapphires (5=0.92ct) sits opposite a matching Leaf Bar & Ring clasp set with 3mm square orange BET Sapphire (0.27ct). 18ct yellow gold with matt and burnished finish.

Kevin Murray requests more info about the Barbara Heath/Sheridan Kennedy exhibition ‘new icons’ in 1987 Thursday, Jan 3 2013 

On 01/01/2013, at 2:53 PM, Kevin Murray wrote:
Dear Barbara,
Sorry to interrupt your new year, but I have a quick inquiry for the history of Australasian jewellery. Can you tell me what kind of work was in the ‘New Icons’ exhibition with Sheridan Kennedy? Was it commissioned work? Thanks, Warmly,

Kevin
///////////////////////////////
I have all the early editions of ‘eyeline’ where the show was featured in two reviews – Urszula Szulakowska’s review and Lehan Ramsay’s review.
I designed the graphics and set up the photography as well. Do take the time to read the articles, Roz MacAllan was the gallerist who initiated the show and as you will read was instrumental in positioning her artists as globally relevant at the time. Jewellery is seen as wearable sculpture and performance permeates That Space during those heady days. Collectors continue to make contact with us re: the availability of these early works.

Wonderful short break – headed south but not to Tasmania retreat yet . . . Saturday, Dec 29 2012 

The other side of the entrance to the Bacon show, we loved it. The AGNSW show was pretty well the *John Russell viewpoint, to me – but that was my first view of Bacon’s work (until the first time I viewed them at the Tate). I hated the glass over the canvas, understandable but regrettable. Tony Bond’s video clip was a treat, especially his ‘void’ comments/observations. I have always loved Bacon’s constructed grounds, the doorways and the flat panels behind the figures, *Thames and Hudson published John Russell’s work on Bacon in 1971 which I read at the time. Alas the reproductions were so small but the friendships, the precursors, the sitters, the lovers were all recorded in his detailed chronology. Amongst John Waterman’s library was a new copy of ’7 Reece Mews’ – Francis Bacon’s Studio published in 2001 by Thames and Hudson and penned by John Edward’s – the sole heir to the booty, since gifted and spirited away to Dublin.

yep, no photography allowed – my movie of the day – HERE

Those Kaldor works are all wonderful, Jeff Koons and mal E and Bh

Playing around at Bruce McLeod’s shop in South Dowling Street, the three of us surprised him – he is my good friend and life-long dealer in special objects. Just celebrated his 83rd birthday.

Back at the Boulevarde where I stayed 1979–1984 while working with David and Leo at SSB

2012 celebrations are over but I have been thinking of all the jewellery, recently exchanged that we have made Saturday, Dec 29 2012 

We managed to visit the fourth venue showing our Artisan touring ‘tinsmith’ show – Toowoomba’s Cobb and Co Museum Friday, Nov 30 2012 

Further two pics here and here. The show is now bumped-out and on its way to Gladstone in north Queensland.

Customers collected these last night, four asymmetrical earring enhancers made to fit Barbara’s handmade hinged sleepers Thursday, Nov 15 2012 

All the gems in the top two are from Greg’s family, topaz and opals mined and locally cut last century in Queensland. Jemina selected two different gems from the studio as a second set, Aqua Chalcedony square cabochon and Blue Chalcedony carved flower set in 18ct yellow gold and 925 silver. Earlier posts showing the hanged sleepers – click here.

Two recent clock restorations by mal E Tuesday, Sep 4 2012 

This lovely French figural clock sits on the 15th floor of the new Federal Law Court in a judge’s chambers and is now cleaned and ticking away keeping time, at last.

This c1827 French silk-suspension figural mantle clock is also fully refreshed and keeping excellent time now in the stock at Thomas & Alexender, Paddington. The dial (before) and (after) enamel restoration by Marnie Mayall. The bronze and gilt case was broken down and every piece individually cleaned with the patinated bronze ground cleaned and waxed. Steel threads all rust removed with original brass nuts hammered to fit tight again. The secret is not to remove any of the original mercury-gilt when cleaning almost 200 years of grime away. No varnish applied and hopefully we will find a glass dome to fit.

George Burrow’s 70th birthday party was a fancy-dress party 10 days ago in Hobart, here is our birthday card we sent down Monday, Aug 27 2012 

He has many categories that he collects but we both share a love of ‘mermaids’ so I dug deep into my picture archive to do this poster with my favourite seventy. I’ll save you counting, I kept going a little after seventy because I couldn’t stop.

Now this is a first – K B is in Darwin and wants to see her new ‘survivor’ pendant commissioned from Barbara Heath Friday, Aug 17 2012 

The studio rule is that the client must view and accept the piece before I’m allowed to post to the world. Kerry is a seasoned (jeweller to the Lost) commissioner and knows the ropes only she can’t wait to see the piece, great! Here is the original design (never posted) but shared via email with the client and following is Barbara’s job bag description.

© Bh Commission – ‘Survivor Pendant’ – A circular Pearlshell disc 30mm dia. set in a fine 18ct white gold frame has ‘floating’ gems set into the surface; long rectangular Quartz cabochon with phantom crystal inclusion, Purple Sapphire emerald cut 1= 0.30ct set in 18ct pink gold and KB’s Grandmother’s diamond in its original Platinum setting. A textured bar irregularly set with x5 small diamonds (as supplied) which intersects the circle at the top forming the bail to suspend the pendant. Black neoprene necklet with bayonet clasp.

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