5 sleeps to the GOMA winter design market, I am flat-chat pricing and tomorrow I do the tray shots to post to out-of-town clients Monday, Jun 17 2013 

In the meantime, one commission below has been waiting for collection for ages, (I can now post it I’m told). One commission jetted its way to Tasmania to a client who has four Bh commissions already, but the beau has to pop the question.  And finally on the weekend Janet Hogan, collected her new “bell earrings”, and added another commission to her tally . . .

A new twist on Barbara’s five leaf lattice ring with Ruby and Diamonds and 18ct Palladium White Gold.

I call a front and a back of the same thing an inseparable . . . Thursday, May 9 2013 

Georgian silver finely engraved button – Scottish with a running fox. Found in London and into the studio collection although Barbara’s dog collection that I’ve been building for twenty years or so now needs a resort as she keeps taking pieces into her secret realm . . . dogs (foxes) especially!

We have the table that goes with these two chairs in the Queensland Art Gallery Monday, May 6 2013 

x2chairs-Craig-Bannacraig-2

 

Glenn Cooke was offered the three pieces by Sharon at Lancasters in Toowoomba ages ago, he scooped the two chairs as they had wood and more particularly tooled leather work. He declined the deeply carved table from the set which shows her family crest by marriage, that of the Robinson clan. We are so fortunate to own this piece of early Queensland cabinetry using local timbers by an important female maker.

Anna Craig / Miss Lubke  was trained as a leather worker, was born Anna Charlotte Lubke in Hanover, Prussia, grand-daughter of the Count von Hartung. George Hulber of Hamburg had revived the ancient art of leatherwork and was accorded considerable fame in Europe at the time; Miss Lubke was one of his few students. She practised her leatherwork in Hamburg, then moved to London where she won awards, including a diploma for a leather-bound book at the 1896 East London Trades, Industries and Arts Exhibition. She was employed as private secretary to Princess Beatrice of Battenberg. Anna came to Australia in 1898 as companion to the wife of the owner of the Valley of Lagoons, a station on the Upper Burdekin, North Queensland. There she met, and the following year married at Ingham, Charles Baker Craig. She spent her early married years at the Valley of Lagoons. Housework was performed by Aboriginal servants so she had time to devote to her craft. Later Mr Craig acquired a property, Craigmore, in the Toowoomba district and the family moved between the two. Mrs Craig exhibited her leather and marquetry work with the Toowoomba branch of the Royal Agricultural Society of Queensland from 1902 to 1920; in 1914 her embossed panels included Phoebus and Apollo , Diana and Mermaid . In 1920 she received silver medals for her embossed leatherwork exhibits. She also showed leatherwork at the 1907 exhibition of the Austral Association. A leather screen and an album cover were exhibited in the preliminary Brisbane Women’s Work Exhibition that year; when shown in Melbourne the screen was awarded a first and a special prize in its class. She received a Queensland Jubilee Medal for her piano stool in leather work at the 1909 Queensland National Agricultural and Industrial Association (QNAIA) Exhibition at Brisbane and prizes for embossed leather work at the Rockhampton Agricultural Society Shows in 1917, 1918, 1933-36. In 1922 the Craigs moved to Waverley Road, Taringa, Brisbane, and Anna began to exhibit regularly with the QNAIA. Between 1925 and 1936 she was awarded several prizes for her leatherwork and marquetry staining. From Glenn Cooke’s biography of her in 1995.

 

I’ve now had 5 requests for Barbara’s opening remarks at ‘The Tasmanian Landscape’ show last Friday in Hobart Friday, Mar 22 2013 

I’ve prepared an A4 sheet – download here

For collection tomorrow . . . a commissioned signet ring remade with the same gold, additional gold, the same inside engraving and an updated ancestral heraldic crest Thursday, Mar 21 2013 

J. M. started with an old bookplate engraving of an 18th century ancestor (Hannibal!) but had to alter it to be correct with his own ‘registered arms’ and incorporate the motto as on his family’s ring that we started with. The iPhone movie of the melt is viewable here:  
http://www.co-opones.to/male/viewer/images/IMG_3043.mov
. This new classic style ring was made from the final ingot incorporating the new gold to bring it to the new volume required. The traditional design has an added new feature; a low bezel surround to protect the engraved surface – one that was problematic to the engraver but he triumphed in the end. Once again, an enjoyable process with a refined commissioner.

Barbara Heath is the featured interview in the Weekend Edition, emailed today Thursday, Jan 3 2013 

The ‘weekend edition’ by MAP is an email subscription – linked here.

We are so delighted with studio sale results this year and I still have to deal with two emails from Texas Lady who is now back in the US of A Monday, Dec 10 2012 

. . .with a record commission and repair list for 2012 we have spent so much time working on client’s demands we despaired that we hadn’t given the retail range enough energy this year. Plus the fact that the three retailers don’t want to be robbed of sale opportunities (by us requesting consignment returns) but we slogged on. Thanks to so many supporters, many who just come once a year to snap up the latest makes. 37 emails in response to the mailout, 399 viewers on the blog the day before the weekend sale and now the paperwork. We are in the studio until December 21st December 2012.

Studio sale this coming Sat 8th and Sunday 9th December 2012 Monday, Dec 3 2012 

Wonderful feedback received so far, the printed invite we mailed to commission clients last week has resulted in post comments, emails and phone calls to the studio … lots of anticipation. Plus we managed to connect two old and dear friends in different continents. Jenny read through the list and emailed us to see if “young Alex” was in fact the daughter of Wendy, a client who resides in Hong Kong. So the client list is also a “friend finder” – I always knew that!  The .pdf is downloadable here.

http://www.co-opones.to/male/viewer/images/2012pre-studiosale-B.jpg

The French cabinet was originally all-over gilt but as its c1870 – it has been painted on the exterior maybe 7 times over its lifetime.
Originally purchased in London by the Brisbane antique dealer – Michael Allen for his own house . . . it proved to be too large and then was a wee bit too small for his shop. So we managed to procure it for the Jeweller to the Lost studio. We are being forced to have more articles to show the clients who visit to arrange commissions these days although we refuse to retail from the studio. It will double as a larger studio sale showcase and joins the other three period French wall vitrines that came from South America and were sourced from Salvage, ages ago. Here is a wider pic.

‘wonder woman’ commissioned cuff © Barbara Heath Monday, Nov 5 2012 

This cuff in presentation box is jetting its way to Cairns in North Queensland today to join many more © Bh commissioned jewels in Kate Galloway’s collection. Starting with an acrylic (dinosaur designs) cuff for the right size and proportions, Kate and Barbara dialogued to and fro about metals, gems and specifics until the design was cornered – 5 cm wide cuff constructed in oxidised 925 silver with applied detail in 22 ct yellow gold with a central large emerald-cut Rutile Quartz 1=14.92 ct in box setting with textured 22ct bezel.

Now this is a first – K B is in Darwin and wants to see her new ‘survivor’ pendant commissioned from Barbara Heath Friday, Aug 17 2012 

The studio rule is that the client must view and accept the piece before I’m allowed to post to the world. Kerry is a seasoned (jeweller to the Lost) commissioner and knows the ropes only she can’t wait to see the piece, great! Here is the original design (never posted) but shared via email with the client and following is Barbara’s job bag description.

© Bh Commission – ‘Survivor Pendant’ – A circular Pearlshell disc 30mm dia. set in a fine 18ct white gold frame has ‘floating’ gems set into the surface; long rectangular Quartz cabochon with phantom crystal inclusion, Purple Sapphire emerald cut 1= 0.30ct set in 18ct pink gold and KB’s Grandmother’s diamond in its original Platinum setting. A textured bar irregularly set with x5 small diamonds (as supplied) which intersects the circle at the top forming the bail to suspend the pendant. Black neoprene necklet with bayonet clasp.

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