Terry Thomas once managed the Gympie Gold Mine, say no more . . . Friday, Sep 19 2014 

He commissioned Barbara to design and fabricate a table top to hold his captivating crystal specimen – patinated copper sheet.

Sometimes, conservation-wise less is more Wednesday, Sep 17 2014 

With this centenary of WW1 many public orientated organisations are presenting mementoes of service. A group of nurses from the Royal Brisbane Women’s Hospital – (Museum of Nurses History) . . . called the studio seeking assistance with objects in their care. This wonderful steel chatelaine has an intimate story but also shows surface breakdown due to rust and the previous storage environment. We suggested minimal intervention, first a scalpel was used to cut away the surface growth and burnish away the rust then brass brushing, cleaning with gum turpentine + olive oil and hand rubbing to bring up the patination. To be collected today and into their display tomorrow . . .

 

The studio remains intrigued by nature’s small jewellers Tuesday, Sep 16 2014 

Barbara has created pierced ‘lace’ work in wax and developed many versions of this technique for over 20 years now. We are also working on larger sculptural elements for a series of suspended works following this ‘lace’ theme called “new nature” but we remain in awe of this particular caterpillar’s edible art, recently found on Tumblr.

He bought her a large round brilliant cut diamond but she loved the idea of a square princess cut Tuesday, Sep 16 2014 

So Barbara designed and made her wedding ring over 20 years ago with a rather special setting, it showed the round diamond off in a square setting with Barbara’s usual abundant use of metal. A deep stone requiring a high cushioned setting – well we have been commissioned to cut away the stone, use the metal and create a new tapered offset ring and do a new gem encrusted band to accompany the new ring. Everything that went through the first ceremony stays intact for whatever the future throws up . . . we loved this sentiment and the brief from this long standing Melbourne client.

 

I’m impressed, Barbara has bought two large A2 prints and Max has given me copies of his two books Monday, Sep 15 2014 

I spent the morning with Max amongst his orchids and ferns at Kangaroo Point, Brisbane. Then into his folders of illustrator and photoshop files and his earlier workbooks, diaries and hand drawings. His web site has two books for sale that most of my contacts will simply want to have at home to adorn their library’s garden section; ‘the enchanted orchid’ and ‘striptease – It’s all done with flowers’. Both are beautifully post produced and printed on quality stocks, both are trimmed to 250mm H x 210mm W.

With ‘the enchanted orchid’ Max has designed, photographed and written this picture book that cleverly covers his chosen category. 144 pages drawn on to a folded laminated cover, first published in Sydney in 1999. Max has now done a second imprint co-published with Vanity House and his Cooroy Gardens entity in 2003 with a small number remaining from a very respectable second run. It sells for A$40.00 + postage of A$15.00

His ‘striptease – It’s all done with flowers’ was co-published later in 2005 with Vanity House and Cooroy Gardens also and is really a peek-aboo at his own marvellous story and talents with some generous take-aways for those interested in illustration, those with a handle on the Latin names for the floral species and those just looking for a great gift and read. It sells for A$25.00 + postage of A$15.00

 Again, Max is selling his remaining copies on-line so get in touch better still post him a cheque today <Max Fulcher 101/193 Main Street Kangaroo Point QLD 4169 Australia> and don’t forget to add your postal address. Repost this to your own blogs also.

 

Another carnelian intaglio ‘portrait’ seal – Jean-Jacques Rousseau Thursday, Sep 4 2014 

Sourced from Warwick Oakman Antiques in Battery Point, Hobart, this portrait seal of the great “citizen” philosopher whose writing influenced the French Revolution. I managed some text sleuthing and on the Gutenburg.org site where I found this very charming story recounting his early childhood, in Rousseau’s own words:

‘Every night, after supper, we read some part of a small collection of romances which had been my mother’s. My father’s design was only to improve me in reading, and he thought these entertaining works were calculated to give me a fondness for it; but we soon found ourselves so interested in the adventures they contained, that we alternately read whole nights together, and could not bear to give over until at the conclusion of a volume. Sometimes, in a morning, on hearing the swallows at our window, my father, quite ashamed of this weakness, would cry, “Come, come, let us go to bed; I am more a child than thou art.’

This piece is a welcome addition to our wonderful studio collection of seals, carved soft stones and writing paraphernalia.

Some links for those interested to delve further – gutenburg.comthe Stanford sitethe Wikipedia site.

More on our recent Tasmanian 10 day jaunt Tuesday, Sep 2 2014 

Overnight at the New Town Palace – Hobart shops – Burning off the summer garden’s waste – Reinstated the Georgian internal staircasePolished kitchen floor – Mr & Mrs Kissafish for lunch – Evandale relies drop in – Clockman, Warren & Babe – Unfruitful trip to Longford – Campbel Town shops – Two Profs from over the road drop in – Sunset on the river – Tracker gone – Rodney & Joey Kevin Joy Wishes Paul and Peter Simon – Quite a few perfect shots away – Gardening – Trip to the tip – Cracker drive to the airport in the MG ZT – and below the Peel-away project:

Barbara’s two ‘still life’ small sculptures are at Handmark Gallery, Hobart and Evandale Tuesday, Sep 2 2014 

The entire show is still online here.

925 bright and oxidised Silver with coloured and patinated copper handmade © Barbara Heath – Jeweller to the Lost

Two views of the Lady Franklin’s Greek Temple, one by Ricardo and one by mal E Tuesday, Sep 2 2014 

We made a late night pilgrimage this time that we were down in Tasmania. The Lady Franklin Museum, known as The Lady Franklin Gallery is a classical stone building in Lenah Valley. Built in 1842 as an art and historical museum, it was the creation of Lady Jane Franklin, the wife of Governor Sir John Franklin.

The Franklins were shocked at the lack of cultural institutions and the indifference of early colonists. Jane was an exceptionally resourceful and talented woman who envisaged and brought about the erection of a classical building along the lines of a Greek temple… to ensure the continuance of cultural aspirations of the future colony. When completed the Museum contained sculptures, books and pictures.

The Franklins left Hobart the following year and the building and 400acres of land was transferred upon trust to Christ College. By 1920 most of the land had been sold and the building was being used as an apple store and cow shed. In 1936 the property was transferred to the City Council, and in 1948 the Council accepted a proposal by The Art Society of Tasmania to lease the building as their Gallery. Open every weekend (Sat & Sun) except Easter and Christmas, shorter in the winter months.

Teresa Lee leaves the studio, end of August to continue her Jewellery and Metalsmith studies in Scotland Tuesday, Sep 2 2014 

and she promises to return in early 2015 so we are delighted to keep her place here. After graduating in 2013 from Griffith University – Jewellery & Small Objects and she has been here all through 2013 and 2014. Travel well and take care! – recent shot.

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