Exquisite pair of local boar’s tusks turned into a pair of wearable bangles Friday, Sep 26 2014 

The questions were: 1) do we make silver fitted caps for each tusk? . . . and they sell them as objects. 2) do we endeavour to make them into wearable bracelets? 3) if so how to make them both fit her slender slim wrists? 4) There will have to be lots of metal, Silver or Rose Gold? 5) how to best show off the patina and growth lines of the tusks?

Barbara, Juan-Luis, mal E, Vanessa and Michael played with the options . . . sometimes they we were all in accord, ideas were lobbed into the mix like wild-fire – two meetings then the solution was drawn up, costed a few ways and accepted in a few minutes.

I’ve posted both together (above) and the two separate (below) © Barbara Heath – Jeweller to the Lost

 

 

Feedback from Vanessa Roche, via iPhone messaging: “Nancy Cunard photographed by Man Ray, she is fun to google . . . Thanks again for the bracelets, they are just perfect! I might try to build up to this look”. The image sent was too small to post –  our Nancy Cunard image comes from the Jewellery to the Lost library ‘ Costume Jewellery in Vogue’ by Jane Mulvagh.

We all await the new refurbishment at e’cco bistro, Philip tells me he hasn’t strayed too far from my original logo Tuesday, Sep 23 2014 

The old logo (above) and location has worked a treat, so much so that it is now almost 20 years since I introduced Philip Johnson to Robert Riddel and their relationship – like the restaurant has endured so well. We are in for the VIP re-launch, their invite (below) launches the new logo and this new phase in Brisbane dining pleasure! Bookings via the web.

The before and the after shots are always telling (telling me I shouldn’t try to do the impossible) Tuesday, Sep 23 2014 

French mercury gilded bronze and brass c1790–1820 is the last period of perfection. The case work is still robustly made with their steel and brass ties and nuts still substantial. The problem being two fold – removing the dirt and chemical residue remaining after time and abuse + finding all the bad repairs made over time to keep the case together.

The dial and bezel is in bad shape while the movement is totally rusted together. Dr Sal Rahman knows he has a particular divine clock and wants to spare no expense to have it restored, its the long period waiting that is the hardest.

This is a shot showing the clock and the studio garden.

Terry Thomas once managed the Gympie Gold Mine, say no more . . . Friday, Sep 19 2014 

He commissioned Barbara to design and fabricate a table top to hold his captivating crystal specimen – patinated copper sheet.

Sometimes, conservation-wise less is more Wednesday, Sep 17 2014 

With this centenary of WW1 many public orientated organisations are presenting mementoes of service. A group of nurses from the Royal Brisbane Women’s Hospital – (Museum of Nurses History) . . . called the studio seeking assistance with objects in their care. This wonderful steel chatelaine has an intimate story but also shows surface breakdown due to rust and the previous storage environment. We suggested minimal intervention, first a scalpel was used to cut away the surface growth and burnish away the rust then brass brushing, cleaning with gum turpentine + olive oil and hand rubbing to bring up the patination. To be collected today and into their display tomorrow . . .

 

The studio remains intrigued by nature’s small jewellers Tuesday, Sep 16 2014 

Barbara has created pierced ‘lace’ work in wax and developed many versions of this technique for over 20 years now. We are also working on larger sculptural elements for a series of suspended works following this ‘lace’ theme called “new nature” but we remain in awe of this particular caterpillar’s edible art, recently found on Tumblr.

He bought her a large round brilliant cut diamond but she loved the idea of a square princess cut Tuesday, Sep 16 2014 

So Barbara designed and made her wedding ring over 20 years ago with a rather special setting, it showed the round diamond off in a square setting with Barbara’s usual abundant use of metal. A deep stone requiring a high cushioned setting – well we have been commissioned to cut away the stone, use the metal and create a new tapered offset ring and do a new gem encrusted band to accompany the new ring. Everything that went through the first ceremony stays intact for whatever the future throws up . . . we loved this sentiment and the brief from this long standing Melbourne client.

 

Barbara’s two ‘still life’ small sculptures are at Handmark Gallery, Hobart and Evandale Tuesday, Sep 2 2014 

The entire show is still online here.

925 bright and oxidised Silver with coloured and patinated copper handmade © Barbara Heath – Jeweller to the Lost

Strange to open the studio mid year for a sale, we learnt lots – a quick report Sunday, Aug 17 2014 

The once a year studio sale, end November each year for commission clients is a favourite. We have participated with the GOMA design mart since their inception and they now run twice a year. I posted to our blog and also sent out an email to our  list, 244 saw it the first day – eight good sales, four briefed commissions and countless people back afterwards incl people with repairs and a gem sold. So many people were reminded to visit as three customers remarked they have anniversaries coming up – spring is sprung!

Great interest with the new in-line necklet and one of Barbara’s ‘essential items’ – a hand made, solid gold hinged sleeper set. We are making up two pair and enhancers for one set. Here is a quick scan I prepared to show you Barbara’s own:

Honeywill holiday snapshot – nice, no Milano . . . Wednesday, Aug 6 2014 

From memory this is the first © Bh ring John commissioned for Trish. From viewing John’s Italian holiday pics, this is only one of many chairs lined up at the Pinacoteca di Brera, Milan for viewing Italian masters’ works. I wonder if any small pieces of antique terracotta managed to become stuck in her sandals? We might have another commission, then?

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