Ross and Eve Heath who are at Bangalow put this together – (click for high-res .pdf download) and people we talked to all thank them for their services rendered. Their shop is huge, well stocked and priced for Sydneysiders on holidays.
William White has developed this product with his Chinese factory and then pulled his product from a huge national distributor because of the hike in their margin take . . . he told me what they demanded. He’s set up a web page, he’s used it on his building in Brunswick Heads and we are going to use both products in our Tasmanian renovation.
The pink • looks like 19th century corrugated tin down pipe . . . but its modern PVc formed and painted to look the part. The * decorative eave is PVC painted in rust finish that really tricks the eye and is so easy to work and so affordable. Go here to view their unfinished web, this info is straight from the horse’s mouth. Contact Wil at <email@example.com>
Below is their three story building, shop (Fabulous Mrs Fox) and residence in Brunswick Heads, northern NSW. Seriously chic and killing the retail trade down in those trendy parts, search for their Facebook page and go-like . . .
First thing Sunday we hit the road for two days in and around Brunswick Heads, northern NSW – freaky really.
End of school holidays, needing some massage, long walks and snooping shops . . . new restaurants and we meet an old (creative) acquaintance of Barbara’s, Jo and her Wil of (William White Industries) and www.theclassicfamily.com.au
+ Louise at <re sould> who is a friend of Scott Redford via Bet & Janelle Watson
+ Bangalow and Milton Cater’s (carpet) boys
+ The great black West London gent at the Greek restaurant ‘fatbellyKaf’ in Brunswick Heads
+ best kept secret shop, Gabrielle’s Closet on the way home in Murwwillumbah
The old logo (above) and location has worked a treat, so much so that it is now almost 20 years since I introduced Philip Johnson to Robert Riddel and their relationship – like the restaurant has endured so well. We are in for the VIP re-launch, their invite (below) launches the new logo and this new phase in Brisbane dining pleasure! Bookings via the web.
French mercury gilded bronze and brass c1790–1820 is the last period of perfection. The case work is still robustly made with their steel and brass ties and nuts still substantial. The problem being two fold – removing the dirt and chemical residue remaining after time and abuse + finding all the bad repairs made over time to keep the case together.
The dial and bezel is in bad shape while the movement is totally rusted together. Dr Sal Rahman knows he has a particular divine clock and wants to spare no expense to have it restored, its the long period waiting that is the hardest.
This is a shot showing the clock and the studio garden.
In my holidays after my first year at art school, I spent six weeks at McWhirters in the Myer advertising department run by Max Fulcher. It might as well have been Madison Avenue because that tight little ship had most of the creative energy in Brisbane under the firm tutelage of Max and his team. I say tutelage because I actively learnt every job involved in the communication business, hands-on there in the next two years (1966 and 1967). I can still rattle off the names of the people working there who made such an impression on me – lots who years later I was pitching against for business in my own right. Max ran and trained the most creative enterprising division of Myer in the day, we were always being pushed by the Queensland chairman Harold Fielding to knock off the Melbourne team run by Wally O’Donohue. Not only did we achieve better advertising, better results for the group in Brisbane – Max delivered costs at a quarter of the price.
The world needs to know about this man from Yeronga’s meteoric rise to international retail success. Here in his own words to me, he explained his early grooming under Sir Kenneth Myer: ‘I introduced myself to Macy’s San Francisco where I met and began a working association with Duane McHolick who later came to Australia and set David Jones on a new promotional path “There is only one David Jones”. Studied with Mashall Fields (Chicago), The Broadway Stores (Los Angeles), Bonwitt Teller, Bloomingdales, Macy’s (New York). Myer supplied personal assistant and office in the New York Herald building. Introduced by Clyde Bedell (advertising guru who Myer sponsored to Australian in conjunction with Melbourne Herald around 1961) to Sek Seklemian (Retail Reporting Bureau – Retail Advertising Week) and wife and stayed in adjacent apartment to them at the Barbizon Plaza 58th Street. Seklemian offered to sponsor me as his personal assistant (young Australians had good all-round training in advertising) if I decided to return to New York but loyalty to Myer prevailed. Holidayed in Nassau (Bahamas), returned to Macy’s (San Francisco) and was appointed Director Myer (Qld) upon return, June 1964.’
My own career couldn’t have started at a better time or a better place. Max’s sister Gem ran Camera Craft for Harry Poulsen at the time and she too was an active stimulus to my evolving fashion sense, Gem passed away recently and Max gave me this pic of her (left) and their friend Pat.
Like me, Max is an early adopter and his story of early digital times in Sydney is amazing – he started doing his own orchid illustrations after overcoming the vagaries of the Quark environment. Max lent me his catalogue of his first 108 personal illustrations, he has completed 111 to date. These are all layered vector elements created in Illustrator but more complex than that – he holds every shape he has ever created in folders at the same resolution so he can import and copy and place into new creations. He has a gallery relationship in Sydney but all our Australian Garden History Society friends should get in touch direct. My many interior design and architect friends should work with Max to enhance their hospitals and hotels with his exquisitely rendered digitally produced prints. Go direct here . . . A larger print of #11 that I like also. <firstname.lastname@example.org> 0428198012
Sourced from Warwick Oakman Antiques in Battery Point, Hobart, this portrait seal of the great “citizen” philosopher whose writing influenced the French Revolution. I managed some text sleuthing and on the Gutenburg.org site where I found this very charming story recounting his early childhood, in Rousseau’s own words:
‘Every night, after supper, we read some part of a small collection of romances which had been my mother’s. My father’s design was only to improve me in reading, and he thought these entertaining works were calculated to give me a fondness for it; but we soon found ourselves so interested in the adventures they contained, that we alternately read whole nights together, and could not bear to give over until at the conclusion of a volume. Sometimes, in a morning, on hearing the swallows at our window, my father, quite ashamed of this weakness, would cry, “Come, come, let us go to bed; I am more a child than thou art.’
This piece is a welcome addition to our wonderful studio collection of seals, carved soft stones and writing paraphernalia.
Overnight at the New Town Palace – Hobart shops – Burning off the summer garden’s waste – Reinstated the Georgian internal staircase – Polished kitchen floor – Mr & Mrs Kissafish for lunch – Evandale relies drop in – Clockman, Warren & Babe – Unfruitful trip to Longford – Campbel Town shops – Two Profs from over the road drop in – Sunset on the river – Tracker gone – Rodney & Joey Kevin Joy Wishes Paul and Peter Simon – Quite a few perfect shots away – Gardening – Trip to the tip – Cracker drive to the airport in the MG ZT – and below the Peel-away project:
We made a late night pilgrimage this time that we were down in Tasmania. The Lady Franklin Museum, known as The Lady Franklin Gallery is a classical stone building in Lenah Valley. Built in 1842 as an art and historical museum, it was the creation of Lady Jane Franklin, the wife of Governor Sir John Franklin.
The Franklins were shocked at the lack of cultural institutions and the indifference of early colonists. Jane was an exceptionally resourceful and talented woman who envisaged and brought about the erection of a classical building along the lines of a Greek temple… to ensure the continuance of cultural aspirations of the future colony. When completed the Museum contained sculptures, books and pictures.
The Franklins left Hobart the following year and the building and 400acres of land was transferred upon trust to Christ College. By 1920 most of the land had been sold and the building was being used as an apple store and cow shed. In 1936 the property was transferred to the City Council, and in 1948 the Council accepted a proposal by The Art Society of Tasmania to lease the building as their Gallery. Open every weekend (Sat & Sun) except Easter and Christmas, shorter in the winter months.