Ross and Eve Heath who are at Bangalow put this together – (click for high-res .pdf download) and people we talked to all thank them for their services rendered. Their shop is huge, well stocked and priced for Sydneysiders on holidays.
William White has developed this product with his Chinese factory and then pulled his product from a huge national distributor because of the hike in their margin take . . . he told me what they demanded. He’s set up a web page, he’s used it on his building in Brunswick Heads and we are going to use both products in our Tasmanian renovation.
The pink • looks like 19th century corrugated tin down pipe . . . but its modern PVc formed and painted to look the part. The * decorative eave is PVC painted in rust finish that really tricks the eye and is so easy to work and so affordable. Go here to view their unfinished web, this info is straight from the horse’s mouth. Contact Wil at <email@example.com>
Below is their three story building, shop (Fabulous Mrs Fox) and residence in Brunswick Heads, northern NSW. Seriously chic and killing the retail trade down in those trendy parts, search for their Facebook page and go-like . . .
First thing Sunday we hit the road for two days in and around Brunswick Heads, northern NSW – freaky really.
End of school holidays, needing some massage, long walks and snooping shops . . . new restaurants and we meet an old (creative) acquaintance of Barbara’s, Jo and her Wil of (William White Industries) and www.theclassicfamily.com.au
+ Louise at <re sould> who is a friend of Scott Redford via Bet & Janelle Watson
+ Bangalow and Milton Cater’s (carpet) boys
+ The great black West London gent at the Greek restaurant ‘fatbellyKaf’ in Brunswick Heads
+ best kept secret shop, Gabrielle’s Closet on the way home in Murwwillumbah
The questions were: 1) do we make silver fitted caps for each tusk? . . . and they sell them as objects. 2) do we endeavour to make them into wearable bracelets? 3) if so how to make them both fit her slender slim wrists? 4) There will have to be lots of metal, Silver or Rose Gold? 5) how to best show off the patina and growth lines of the tusks?
Barbara, Juan-Luis, mal E, Vanessa and Michael played with the options . . . sometimes they we were all in accord, ideas were lobbed into the mix like wild-fire – two meetings then the solution was drawn up, costed a few ways and accepted in a few minutes.
I’ve posted both together (above) and the two separate (below) © Barbara Heath – Jeweller to the Lost
Feedback from Vanessa Roche, via iPhone messaging: “Nancy Cunard photographed by Man Ray, she is fun to google . . . Thanks again for the bracelets, they are just perfect! I might try to build up to this look”. The image sent was too small to post – our Nancy Cunard image comes from the Jewellery to the Lost library ‘ Costume Jewellery in Vogue’ by Jane Mulvagh.
The old logo (above) and location has worked a treat, so much so that it is now almost 20 years since I introduced Philip Johnson to Robert Riddel and their relationship – like the restaurant has endured so well. We are in for the VIP re-launch, their invite (below) launches the new logo and this new phase in Brisbane dining pleasure! Bookings via the web.
French mercury gilded bronze and brass c1790–1820 is the last period of perfection. The case work is still robustly made with their steel and brass ties and nuts still substantial. The problem being two fold – removing the dirt and chemical residue remaining after time and abuse + finding all the bad repairs made over time to keep the case together.
The dial and bezel is in bad shape while the movement is totally rusted together. Dr Sal Rahman knows he has a particular divine clock and wants to spare no expense to have it restored, its the long period waiting that is the hardest.
This is a shot showing the clock and the studio garden.
He commissioned Barbara to design and fabricate a table top to hold his captivating crystal specimen – patinated copper sheet.
With this centenary of WW1 many public orientated organisations are presenting mementoes of service. A group of nurses from the Royal Brisbane Women’s Hospital – (Museum of Nurses History) . . . called the studio seeking assistance with objects in their care. This wonderful steel chatelaine has an intimate story but also shows surface breakdown due to rust and the previous storage environment. We suggested minimal intervention, first a scalpel was used to cut away the surface growth and burnish away the rust then brass brushing, cleaning with gum turpentine + olive oil and hand rubbing to bring up the patination. To be collected today and into their display tomorrow . . .
Blogroll and jeweller to the lost - commisions and jeweller to the lost - retail range and jeweller to the lost - sculpture bespoke, blogging, found photography, research, sculpture - public art, the good things 12:02 pm
Barbara has created pierced ‘lace’ work in wax and developed many versions of this technique for over 20 years now. We are also working on larger sculptural elements for a series of suspended works following this ‘lace’ theme called “new nature” but we remain in awe of this particular caterpillar’s edible art, recently found on Tumblr.