We hope to see you this coming Saturday on the lawn in front of the GOMA bookshop and entrance – the first of our two sales for the end of the year Tuesday, Nov 25 2014 

Stocks from our QAG showcase inside marked down and sold outside for one day only . . . then onto our own studio sale for commission clients and their friends the following weekend, December 6 and 7 2014. We hope to see you at one of the events, this season!

We are very proud of this work, I’ve just found this review in ArchitectureAu Friday, Nov 21 2014 

These seven pages cover every artist in this note-worthy exhibition. I just found this review by Margie Fraser which has thus far escaped my attention. -  here. 

Link to the concept

Link to the work

Link to the show

Our work in ‘Ipswich Houses’ had another airing February this year at Artisan when the curators borrowed this work from the Ipswich Art Gallery.

 

 

Lovely article on our great friend and client – Roz MacAllan and her ‘kiss-a-fish’ cookery school article in the Mercury Thursday, Nov 20 2014 

The article in The Mercury is viewable - here

Roz is wearing her 18ct yellow gold cuttlefish cast bale © Barbara Heath, holding her huge South Sea pearl – a commission that we finished this year. Roz is also in her new cookery school apron sporting her new ‘kiss-a-fish’ logo designed by Jennifer Marchant, another friend and client. The cooking school is running in St Helens, mid east coast of Tasmania using mostly locally caught ocean produce – supporting another local call to action by Matthew Evans © SBS in his “what’s the catch” episodes on sustainably caught fish.

Also a shout-out to her main man in the enterprise – John Potter!

 

Place and Adornment – A history of contemporary jewellery in Australia and New Zealand Saturday, Nov 8 2014 

This well researched and much anticipated book is now available to everyone interested in the subject, across the divide from both directions. I’ve altered the cover of the book shot to show that the magic is out-of-the-box.

Barbara’s email to Kevin has been copied into this post, below. Published by Bateman ISBN – 978 1 869 53 820 0

Hi Kevin, Wow! really.” “I have been dipping in and out of this book – it would be curious to map a trail of my exploration…I started at the beginning of course, no that’s not quite true, of course I started by looking up my name in the index to hastily read the section on myself – an act which in itself reveals the enormity of your project from the outset – i.e. the number of artist egos you must have had to negotiate to gather all this material together. That fact alone is extraordinary and I/we all thank you for it. Anyway after finding my own story succinctly told and enjoying the subsequent wave of warm inclusion, I went to the pages on Ray Norman, my friend and mentor. I have had so many conversations with Ray and so often thought, ‘I must write this down’, so I loved reading about his early years couched within your overview of the context within which he was working. Here was both a revelation and a re-iteration of the familiar – I felt gratitude again for details recorded. Praise the archivist.” “But also I began to get a sense of this quality of dispassionate overview; the placing, recording and grouping, the timeline and the larger cultural themes. Its like having a key to unlock the story of one’s own category…the fascination of looking through the other end of the telescope.” “So then I focussed on the Australian segments and thought , mmm maybe I’ll read the NZ parts later… but quite quickly (good plan to have each section flow back and forth across the ditch seamlessly) I got hooked into the whole. So…I am hooked and enjoying the ride tremendously – and wanted to let you know sooner rather than wait until I get to the end.” “I hope you are both receiving mountains of praise for what we know to be a considerable amount of labour. More in due course,” “Cheers and love from Barbara”

Kevin adds that he has started another blog to post all the material taken from texts prepared but not included in the final published work + updates – http://placeandadornment.tumblr.com

 

We can finally talk about and show you our ‘benefactor’s medal’ and presentation box commissioned by the QAG|GOMA Foundation Sunday, Oct 19 2014 

From a brief in March 2014 to the design, development, production and delivery of the first five units last Thursday for Friday’s Foundation event – a wonderful journey and delightful partnering with the Queensland Art Gallery. The presentation package was designed and realised in vector art by the studio and was then effectively produced in Queensland red cedar and perspex, inhouse at the Gallery while we worked with our fabricators (Gold Coast & Sydney & Brisbane) and finished the medals and ribbons in the studio. There were many photographs taken at hand over and an article will appear in the Foundation’s magazine in the near future, here is my shot of Barbara taken on the iPhone in the water pavilion.

Latest commissioned dress ring collected on Thursday (with much celebration and delight) Sunday, Oct 19 2014 

Tamsin Cull and Barbara huddled together for almost three meetings to plan and execute this © Bh offset “lace dish” ring they have dubbed –  THE STORY SO FAR. Recycling her materials and gems, we worked with 5 cushion cut diamonds from her Grandmother’s ring and 2 diamonds and 1 ruby from another earlier commission + 1 new brown diamond + bead details from Grandmother’s ring + yellow gold from her Florentine ponte vecchio ring – got that? All recreated in 18ct Palladium White Gold and Yellow Gold by the studio and using all the other metals to create the shaped and elegant © tapered Bud band. I’ve asked Tamsin to periodically shoot the ring and send on her pics, my choice of her first three is below:

Commissioned ‘mourning ring’ for her husband Wednesday, Oct 8 2014 

Robert John Kerr (Bob) Myers was our friend also, after a wonderful life working as a soil scientist in many parts of the world – he slipped into dementia after a stroke. The local chapter of the Australian Garden History Society will also miss him as does his loving family and friends. Margaret and Barbara worked on this elegant © Bh ‘saddle’ 18ct Palladium White Gold, Diamond and black enamel ring in his memory. I love the Diamonds all in a row like seedlings, buried in the black soil.

Exquisite pair of local boar’s tusks turned into a pair of wearable bangles Friday, Sep 26 2014 

The questions were: 1) do we make silver fitted caps for each tusk? . . . and they sell them as objects. 2) do we endeavour to make them into wearable bracelets? 3) if so how to make them both fit her slender slim wrists? 4) There will have to be lots of metal, Silver or Rose Gold? 5) how to best show off the patina and growth lines of the tusks?

Barbara, Juan-Luis, mal E, Vanessa and Michael played with the options . . . sometimes they we were all in accord, ideas were lobbed into the mix like wild-fire – two meetings then the solution was drawn up, costed a few ways and accepted in a few minutes.

I’ve posted both together (above) and the two separate (below) © Barbara Heath – Jeweller to the Lost

 

 

Feedback from Vanessa Roche, via iPhone messaging: “Nancy Cunard photographed by Man Ray, she is fun to google . . . Thanks again for the bracelets, they are just perfect! I might try to build up to this look”. The image sent was too small to post –  our Nancy Cunard image comes from the Jewellery to the Lost library ‘ Costume Jewellery in Vogue’ by Jane Mulvagh.

Sometimes, conservation-wise less is more Wednesday, Sep 17 2014 

With this centenary of WW1 many public orientated organisations are presenting mementoes of service. A group of nurses from the Royal Brisbane Women’s Hospital – (Museum of Nurses History) . . . called the studio seeking assistance with objects in their care. This wonderful steel chatelaine has an intimate story but also shows surface breakdown due to rust and the previous storage environment. We suggested minimal intervention, first a scalpel was used to cut away the surface growth and burnish away the rust then brass brushing, cleaning with gum turpentine + olive oil and hand rubbing to bring up the patination. To be collected today and into their display tomorrow . . .

 

He bought her a large round brilliant cut diamond but she loved the idea of a square princess cut Tuesday, Sep 16 2014 

So Barbara designed and made her wedding ring over 20 years ago with a rather special setting, it showed the round diamond off in a square setting with Barbara’s usual abundant use of metal. A deep stone requiring a high cushioned setting – well we have been commissioned to cut away the stone, use the metal and create a new tapered offset ring and do a new gem encrusted band to accompany the new ring. Everything that went through the first ceremony stays intact for whatever the future throws up . . . we loved this sentiment and the brief from this long standing Melbourne client.

 

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